Copper


Reel-to-Reel Roots, Part 23: Better Than Rice K...

Issue 172Natural Born Kessler

Ken Kessler revels in the stories told by scraps of paper found in tape boxes However old the tapes, however worn and unloved, nothing amuses or delights me as much...

Pilgrimage to Sturgis, Part 30: Limited Identity

Issue 172New Vistas

It was a lovely mild evening as the sun set behind the hills which flanked the Belle Fourche River. A light breeze filled the canopy of overarching trees providing shade...

Tubes to Go

Issue 172Audio Anthropology

Written by Frank Doris Boldly proclaiming the maker’s name in one of the coolest logos ever: the Marantz Model 240 stereo power amplifier. Available with in black or silver, this...

Can’t Get Enough (of Your Pressings)

Issue 172Deep Dive

Author’s note: The following article was written in spring 2021 for the recently-published book Record Store Day: The Most Improbable Comeback of the 21st Century (Rare Bird Books, Los Angeles),...

Take a Walk in Wonderland: Revisiting the Music...

Issue 172Featured

In previous Copper articles (Issue 168 and Issue 169), I have discussed the Musical Instrument Museum (MIM) in Phoenix, Arizona and some of my favorite exhibits. Here I would like...

A Visit to The 2022 New York Audio Show, Part One

Issue 172Show Report

The New York Audio Show returned after a bit of a break, and it was nice to get back to a local event I had attended for the first time...

Around the World In 80 Lathes, Part 22

Issue 172Revolutions Per Minute

Over the last several episodes, we have traveled to different parts of the world to look at the different engineering cultures in different times and places, all sharing a common...

Theatrical Display

Issue 172Parting Shot

The quiet woman in the ticket booth at the historic Silco Theater in Silver City, New Mexico. We also featured her in Issue 171’s Parting Shot.

Born to Rock: Graham Whitford of Tyler Bryant &...

Issue 172Idle Chatter

From being born into a house of classic rock royalty to becoming darlings of present-day indie blues-rock, Graham Whitford’s rock and roll journey was a matter of destiny. As the...

What’s in a Name? MIRTAS – The Music Instrument...

Issue 172Featured

From December 2013 and for several years afterward I worked as a project manager in the UK for the Academy of Music and Sound, managing MIRTAS: the Music Instrument Retail...

An Octave Records Trifecta: Augustus, Thom LaFo...

Issue 172Octave Pitch

Vinyl fans, take note: Octave Records has added three titles to its growing roster of LP releases: Ragtime World by melodic rockers Augustus, The Moon Leans In by singer/songwriter Tom...

The History of A&M Records, Part Seven: A&a...

Issue 172Deep Dive

Continuing our 60th anniversary celebration of A&M Records, our journey will now take us south of the border. A&M’s foundation was built on music with a Mexican flavor – the...

Ralph Vaughan Williams: A Master of Orchestrati...

Issue 172Something Old / Something New

On October 12, 2022, fans of 20th-century British music will have something to celebrate: the 150th birthday of Ralph Vaughan Williams (1872 – 1958). Stretching back to the Middle Ages,...

Martina McBride: Empowered By Country Music

Issue 172Off the Charts

Martina McBride has always been a spokesperson for the downtrodden, particularly women. The Nashville star defied stereotypes that said country music was centered on the perspectives of men and a...

The NAMM Show 2022, Part One

Issue 172Show Report

When photography was in the process of being invented, two brilliant gents, Ferdinand Hurter (1844 – 1898) and Vero Charles Driffield (1848 – 1915), using a sewing machine and a...

Long Live Excellent Customer Service

Issue 171Featured

In my humble experience, I think it’s true to say that people like to buy from, yes, you guessed it…people. Particularly if the commodity is something that is as inspirational...

The Beacon Theatre’s Sphere Immersive Sound in ...

Issue 171Featured

The last show I had seen at the Beacon Theatre was either Lita Ford or Joe Jackson back in the 1980s, likely viewed from the only seat I could afford...

Jazz Producer Creed Taylor: In Memoriam

Issue 171Featured

August 22, 2022 marked the passing of legendary jazz producer Creed Taylor. Active in the music industry for decades, he left a lasting impression on the world of jazz. He...

Collective Soul: Rocking On With Limitless Passion

Issue 172Disciples of Sound

Collective Soul burst on to the rock scene in 1993 with the single “Shine” from their debut album Hints Allegations and Things Left Unsaid. It was a remarkable record from...

Audio Nirvana (I Found It!)

Issue 171Speaker Storiesweb-2517

A little background: the first article I wrote for Copper back in 2019 was about a speaker demonstration at the home of the late designer and engineer Siegfried Linkwitz (“A...

First Look (and Listen): A Hi-Def Live Concert ...

Issue 171Twisted Systems

I recently attended a press showing (and listening) session at the Beacon Theatre in New York of their new, recently-installed sound system, called Sphere Immersive Sound. It was touted as...

Talking With Dan Mackta of Qobuz

Issue 171Frankly Speaking

Streaming and downloading audio service Qobuz specializes in delivering high-resolution audio up to 24-bit/192 kHz. Founded in 2007 in France, Qobuz launched in the US in February, 2019 and now...

The Meanings of Life

Issue 171Opening Salvo

For though your ship be sturdy No mercy has the sea Will you survive on the ocean of being? – Genesis, “Watcher of the Skies” As long as I gaze...

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Analyze This

Issue 171Audio Anthropology

Written by Frank Doris   Not much is known about this early M&K three-piece satellite/subwoofer system (pictured above and below) found at Audio Classics, but it looks and sounds very...

Around the World In 80 Lathes, Part 21

Issue 171Revolutions Per Minute

In the previous episode (Issue 170), we looked at the Hara disk recording lathes, manufactured in Japan in the 1970s. The Vanrock E-101 and the Atom A-101 came a bit...

Pilgrimage to Sturgis, Part 29

Issue 171New Vistas

  [Editor’s Note: this part of the story took place in the mid-1980s.] A blast of superheated wind hit me in the face as I walked out of that air-conditioned restaurant in...

Lemons Rally: Rust Belt Ramble, Part Three

Issue 171Featured

Day Three: “Steel City, Oil City, Silo City” Good morning! It’s the last day of the Rust Belt Ramble. This is the day of mixed emotions. On one hand, you’re...

Back to My Reel-to-Reel Roots, Part 22: Reel-to...

Issue 171Natural Born Kessler

To noodge is Yiddish for “to pester,” but with a vengeance. It isn’t just whining and nagging. It’s full-blown, incessant, won’t-take-no-for-an-answer annoyance. That’s how I managed to drive RX Reels’...

Amy Winehouse: Soulful Supernova

Issue 171Off the Charts

Once when R&B legend Ronnie Spector was shown a picture of Amy Winehouse, for a moment she thought she was looking at a picture of herself as a young woman....

The Colors of Music: Synesthetic Artist Sees an...

Issue 171Featured

In Issue 170, Melissa McCracken shared with our readership the fascinating experience of creating her artwork as a synesthetic. Here’s an excerpt from Part One of our interview: Melissa McCracken: Synesthesia is a...

Finding Balance Between Artistry and Academia: ...

Issue 171Idle Chatter

For young troubadour Sophia Marie, life can be hectic, but through that frenzy, the West Coast native often recoils into a gentle creative balance. Sophia Marie is a new, young...

Silent Movie Fan

Issue 171Parting Shot

Ticket booth at the historic Silco Theater in Silver City, New Mexico. Silco is an anagram of silver and copper, the economic foundations of the community.

Astrud Gilberto: The Essence of Bossa Nova

Issue 171Trading Eights

She was hardly a powerhouse singer. In fact, her voice was thin, barely more than a whisper. But Astrud Gilberto’s low-key vocal style captured the essence of bossa nova at...

Diagnosing Audiophilia

Issue 171Featured

Patient: Dr. Krebs, I think I have acute audiophilia. Dr. Krebs: Sounds serious. What are your symptoms? Patient: A lack of sound clarity with some distortion. Both my audio system...

All That Jazz, Part Two

Issue 171The Mindful Melophile

When I was studying music in college, I thought about learning how to play the double bass. On second thought it seemed impractical: I would have to carry an instrument...

World Music

Issue 170Audio Anthropology

Written by Frank Doris From the Museum of the Hard to Believe: a 1970s ADC Accutrac 4000, featuring computerized playback of any track, even in random order! The 4000 had...

Under My Skin: An Interview With Journalist Eli...

Issue 170Idle Chatter

As a direct representative of an era steeped in glitz and glamor, journalist Elise Krentzel’s journey through the entangled jungle of rock music is one of dreams, determination, and perseverance....

The Colors of Music: Synesthetic Artist Melissa...

Issue 170The Copper Interview

We’ll begin this article by having artist Melissa McCracken give us a short introduction to synesthesia and how it inspires her artwork. Melissa McCracken: Synesthesia is a neurological condition in...

The Times They Are a-Changin’!

Issue 170To Be Determined

I’ve been absent for a couple of issues, and I wanted to let everyone know that I haven’t completely faded away…at least, not yet! In previous issues of Copper, I’d...

Confessions of a CD Addict, Circa 1986

Issue 170Featured

File under “what comes around, goes around.” I wrote the following unpublished piece in 1986, found unexpectedly after going through old computer files. The deja vu of my music consumption...

Breaking News: HD Vinyl Enters Bankruptcy (and ...

Issue 170Revolutions Per Minute

Over the past 130 years or so, very little has changed in disk recording, mastering and record manufacturing. The shift from acoustic recording to electrical recording took place in the...

High-Quality Audio In Clubland

Issue 170Eureka Moments

When was the last time you went to a really trendy dance club? How about one that caters to an in-the-know young crowd? What about one of New York City’s...

T.H.E. Show 2022 Report, Part Two

Issue 170Show Report

The reasons for audio shows are basically to sell product. Am I being too cynical? Perhaps, but almost everyone involved needs to have a positive ROI (return on investment), a...

Back to My Reel-to-Reel Roots, Part 21: The Bes...

Issue 170Natural Born Kessler

With the myriad changes which have inevitably affected audio pursuits over the years – the return of vinyl, the decline in the numbers of print magazines and hi-fi shops –...

Duncan Sheik: From Barely Breathing to Broadway...

Issue 170Disciples of Sound

Some of the most interesting paths in music (and in life for that matter) come with winding turns and heading into peaks and valleys. Few know that better than Duncan...

Floating Over CES

Issue 170True-Life Rock Tales

It was explained to me that Penthouse magazine would not be using manufacturer’s product shots, because they did not want “Technomania’s” content to look like any other magazines. (The story of how they...