Copper


Instrument Designer Rick Turner: A Life

and Other IllnessesAudioIssue 173Music

These days, I struggle, aside from dealing with my illness, with taking in what else happens in the world around me. Like the death of Rick Turner at age 78....

Finger-Pointing

Issue 174Parting Shot

Street art, Silver City, New Mexico.

There’s a Kind of Hush

Issue 174Audio Anthropology

From Audio Classics in Vestal, New York, here’s a gorgeous, 16-pound Sherwood Electronic Labs S3000 III FM tube tuner from the early 1960s. Sherwood was founded in Chicago in 1953,...

Piper Payne – A Mastering Engineer For Next Gen...

Issue 174The Copper Interview

After establishing her reputation as a mastering engineer in Oakland, California for artists like Third Eye Blind, The Go-Go’s, and LeAnn Rimes, Piper Payne merged her company with Infrasonic Mastering...

Richard X. Heyman: Still Going at 67,000 Miles ...

Issue 174Idle Chatter

Richard X. Heyman has long had a habit of paying homage to his various influences while simultaneously carving out new and exciting paths ahead. In his earliest days in the...

What if Elvis Had Lived?

Issue 174Sitting In

Let’s go back to August 1977. Elvis Presley’s records were not being played much on Top 40 radio. He released one single in the summer of 1977, “Way Down,” that...

Retail Therapy

Issue 174Featured

I never trained as a psychologist. Instead, in my retail career I maintained an open mind, had probably more patience then than I do now, (but not that much less),...

Classical Music for a Desert Island, Part Three

Issue 174Featured

Part One and Part Two of this series on desert island classical music albums appeared in Issue 172 and Issue 173. To recap: this list reflects my taste. Yours may be entirely different....

Pianist Sarah Cahill: The Future Is Female

Issue 174Something Old / Something New

Pianist Sarah Cahill has never been interested in the established musical canon. Her whole career, she has sought out composers to collaborate with, most notably Terry Riley and Lou Harrison....

Around the World In 80 Lathes, Part 24

Issue 174Revolutions Per Minute

J.I. began his overview of Danish-made Lyrec record cutting lathes in Issue 173. All Lyrec disk recording lathes, from the SV-2 to the SV-10, had similar features. They were all...

The Elusive Del-Vikings

Issue 174Off the Charts

You’d think the Del-Vikings would be pretty simple to research. The popular doo-wop group, formed in 1955, had a few hits over ten years. What could possibly be complicated? As...

Neighbors

Issue 174Music'al Notes

Bukhara. It was the razor wire that really got my attention. The concrete paving of the back garden and installation of a 10-foot perimeter fence was bewildering, but the addition...

The New York Audio Show 2022, Part Two

Issue 174Show Report

Even though Manhattan is the center of the photography universe, amazingly, it’s never had its own major photography festival. Sure, there are events like PhotoPlus Expo, held each fall at...

Back to My Reel-to-Reel Roots, Part 25: Half-Fu...

Issue 174Natural Born Kessler

Ken Kessler looks again at the availability of reel-to-reel hardware – and drools with envy  All it took were the words of a semi-troll/moron replying to an Instagram posting. Up...

Steven Page (Formerly of Barenaked Ladies): Soa...

Issue 174Disciples of Sound

Barenaked Ladies (BNL) is a Canadian rock band that helped define the 1990s. As a rock outfit they found a way to marry musicianship and humor in a manner that...

Commentary

Issue 174Opening Salvo

We’d like to take a moment to let readers know that Copper’s Comments sections are moderated. While we encourage thoughtful and spirited discussion, please be civil. The editor and Copper’s editorial staff reserve the...

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Tape vs. Vinyl: An Old Pawnshop Favorite

Issue 174Deep Dive

I just received my reel-to-reel tape copy of Jazz at the Pawnshop from AudioNautes Recordings last week. For those of you who are unfamiliar with this recording, who I suspect...

Pilgrimage to Sturgis, Part 32

Issue 174New Vistas

The Bhagwan played his sitar for about 20 minutes. Most everyone left for home during that time. When he looked up, he seemed surprised to see that there were still eight...

The History of A&M Records, Part Eight: Hor...

Issue 174Featured

In 1975, A&M Records established a subsidiary jazz label called Horizon Records. John Snyder (who had previously worked with producer Creed Taylor) was the label’s creative director, and left in...

The Golden Decade for Popular Music…The 1950s?

Issue 174Featured

I belong to a music-listening group consisting of five people who get together once a month. Everyone gets a turn to be the host who provides the playlist, wine, and...

Unlikely Beauty

Issue 173Parting Shot

Solar flare? Cosmic egg? A new image from the James Webb Space Telescope? No. This is simply an oil stain on pavement. Sometimes beauty is found in unlikely places.

The Prospects Are Good

Issue 173Audio Anthropology

How many of these has anyone seen? It’s a circa 1960s JVC Nivico SRP-471E turntable. Not much information is available about these online.   Detail shot of the SRP-471E. It...

Piper Payne: A Mastering Engineer For Next-Gene...

Issue 173The Copper Interview

After establishing her reputation as a mastering engineer over the past decade in Oakland, California for such artists as Third Eye Blind, The Go-Go’s, and LeAnn Rimes, Piper Payne merged...

Long Live Rock

Issue 173Featured

For a while now, I have been thinking about how classic rock will look in its last stages. Artists are quickly aging, and surviving members of the great old bands...

The Best of CES Awards

Issue 173Featured

On the top floors of 30 Rockefeller Center sits the Rainbow Room. It’s a lovely restaurant and sometimes event space that offers a breathtaking view of Manhattan. It even has...

Classical Music for a Desert Island, Part Two

Issue 173Featured

Part One of this series on desert island classical music albums appeared in Issue 172. To recap: this list reflects my taste. Yours may be entirely different. In fact, it’s very...

Around the World In 80 Lathes, Part 23

Issue 173Revolutions Per Minute

Having visited Japan and their disk recording lathes in previous issues (see Issue 171 and Issue 170), it is now time to travel back to Europe, this time to a...

Pilgrimage to Sturgis, Part 31

Issue 173New Vistas

Written by B. Jan Montana The Bhagwan hopped off the picnic table and walked around it, shaking his arms. He stepped into his Airstream and came out a few minutes...

Back to My Reel-to-Reel Roots, Part 24: The R2R...

Issue 173Natural Born Kessler

Ken Kessler assesses the increase in the reel-to-reel presence at the Tonbridge AudioJumble. Only five months have passed since the previous AudioJumble, but cataclysmic events have taken place in that...

Octave Records Debuts The Audiophile’s Guide: T...

Issue 173Octave Pitchweb-2517

PS Audio’s Octave Records now offers its latest release, The Audiophile’s Guide: The Loudspeaker, a book and companion SACD/download that tells listeners exactly how to get the most out of...

Phantom of the Stereo: Creating a Convincing Ce...

Issue 173Speaker Stories

If, like me, you are truly determined to get the best presentation from your stereo system, and specifically, desire the ultimate in clarity and center imaging from vocals, what are...

Complete Recovery: Unusual Takes on Others’ Son...

Issue 173Complete Recovery

Sometimes a performer is so taken with another artist’s song that they just have to do their own recording of it. These cover versions can range from faithful portrayals of...

Simple Minds’ Jim Kerr: Following the Direction...

Issue 173Disciples of Sound

Some music sounds as fresh today as it did the moment it was first released. This has always been the case with Simple Minds. Their sound has always had muscle...

The 1980s: The Music Was Unfairly Maligned

Issue 173Deep Dive

Leave it to an unexpected COVID-driven quarantine to reassess one’s affinity for an entire decade of music. The impetus for this rabbit-hole deep dive was my Australian Facebook friend Katie...

Club 19

Issue 173Opening Salvo

We are saddened by the loss of Loretta Lynn (90), one of the most iconic and groundbreaking country music artists of all time. Immortalized in the movie Coal Miner’s Daughter,...

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Neil Young’s Time in the Ditch: A Retrospective

Issue 173Idle Chatter

There is something extraordinary about listening to a legendary artist hit their absolute creative peak, pumping out quality music seamlessly, in a manner that makes it seem almost too easy....

The NAMM Show 2022, Part Two

Issue 173Show Report

Part One of Copper’s NAMM 2022 Show report ran in Issue 172. Sony is a company whose presence was all over NAMM 2022, similar to how Adobe impacts any photography...

Pat Metheny: Versatile Jazz Guitar Virtuoso

Issue 173Trading Eights

Jazz fusion and contemporary jazz guitarist/composer Pat Metheny is the only person to have won Grammy awards in 10 different categories. And while his cache of 20 Grammys is not...

Dracula and the Dancing Plagues

Issue 173The Mindful Melophile

During the 14th, 15th, and 16th centuries a few villains and events emerged that wouldn’t be out of place if you found them in episodes of TV’s American Horror Story....

The History of A&M Records, Part Eight: Jaz...

Issue 173Featured

Like almost every well-known record label, A&M Records also made some forays into the jazz world. Some would be more of a relaxed style of pop-jazz, while others would come...

Buffalo Springfield: Progenitors of Psychedelic...

Issue 173Off the Charts

There was folk. There was rock and roll. There was blues, coming back home via the 1960s British scene. But thanks to innovative groups like Buffalo Springfield, all those genres...

Redemption Song

Issue 172Opening Salvo

Sir Rastus Bear who’d ever believe You’d be by a song Redeemed – Blue Öyster Cult, “Redeemed” Copper’s Tom Gibbs is going to be absent from the next few issues....

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Piper Payne: A Mastering Engineer for Next-Gene...

Issue 172The Copper Interview

Despite her relative youth, Piper Payne has forged a formidable reputation as a mastering engineer, a rarefied set of skills that can make or break a recording commercially. Her work...

Beyoncé In the Perfect Tense

Issue 172Wayne's Words

Renaissance (Columbia/Parkwood Entertainment) I’d always enjoyed Beyoncé’s music, from the time when she was in Destiny’s Child, the essential R&B girl group of the 1990s. That Beyoncé Knowles (now Beyoncé...

David Libert: A Rock and Roll Warrior Tells All...

Issue 172Disciples of Sound

When it comes to rock and roll excess, tales from the rock tours of the 1970s rarely disappoint. It was an era defined as much by the music and live...

Classical Music for a Desert Island, Part One

Issue 172Featured

Over the past few months, our esteemed editor Frank Doris has been sharing with us his personal choices for a desert island collection of rock albums (as per his list...