COPPER

A PS Audio Publication

Issue 32 • Free Online Magazine

Issue 32 THE AUDIO CYNIC

Cynically Yours

I won’t beat around the bush: putting Copper together is a lot of work. I don’t recall my exact response when the idea of the magazine was pitched to me by Ye Olde Publisher, but I’m pretty sure it included the phrase, “are you INSANE?” Or something close to it, anyway.

While there is a lot of effort involved, especially as we continue to add contributors and content, there isn’t the stark terror, the flying-without-a-net feeling of the early days. At this point there is a certain certainty in the process, a bit of a routine. For me, the biggest angst after the launch came from the addition of comments directly on the site…and I’ll tell you why.

This column took its name from my reputation as a snarky analyst of the passing parade. While I am rarely shocked by the human ability to screw up a good thing, I never try to hurt anyone, and only say things in print that I would say to a person’s face. I am aware of my dark side, and am strongly aware that pretty much everyone has a dark side.

Because of that, when I became active online nearly twenty years ago, I decided that I would always, always, always use my real name. It’s not like my name is ‘John Smith’; having been a field manager for the Census a couple of lifetimes ago, I can state with reasonable certainty that there is one and only one ‘Bill Leebens’ in the United States. (My son is also named William, but he doesn’t go by ‘Bill’.)

My point is that I have nowhere to hide. If I say something hurtful or hateful or irredeemably boneheaded, I am accountable, and I sure as hell will hear about it from somebody. Do I feel constrained by that? Yes, but in a positive way: it acts as an extension of my conscience. I assure you that I hesitate before hitting SEND. If that’s not evident, just imagine how much worse I would be without that constraint.

Which brings me to that big angst. I think I understand why monikers and noms de pixel are needed. The unfortunate part is that anonymity seems to liberate the aforementioned dark side of many 3 AM posters, who often mistake “I can” for “I should”. Two renowned social scientists have commented apropos of this: Ron White spoke of his infamous “Tater Salad” arrest, saying, “I had the right to remain silent, but I didn’t have the ability.” And I have often quoted Louis CK to friends who had to deal with comments on their sites: “As soon as you crack your knuckles and open up a comments page, you just canceled your subscription to being a good person.”

As it turns out, my fears were largely groundless; aside from an isolated crank or two, comments on Copper have been unfailingly civil, and largely complimentary and appreciative. Phew.

It could be that our audience is simply mature, and mostly devoid of social maladroits. Or it could be fear of The Wrath of Leebs. I don’t know why our commenters are well-behaved, but I’m grateful.

In the bigger picture, however, I’m dismayed by the rise of incivility in America. Blame has largely replaced sincere discussion in public forums, so I suppose it would be ironic to direct blame at something for this degeneration. If I were to blame something/anything, it would be the rise and dominance of “reality” TV. Anthropologists are aware that being watched changes behaviors, so can anyone believe that such staged programs genuinely represent “reality”? Mimicking the non-star stars of reality TV, we have become a nation of ranters and whiners, seeking to inflame at all costs with verbal Molotov cocktails. The immediacy of response on the internet only fans those flames.

In my pretentious teenage years I formulated a string of  “Leebens’ Laws”, one of which was “Leebens’ Law of Inverse Availability”. I’d noted that back when messages took a great while to deliver—say, from a sailor at sea for a year—the messages tended to be articulate, eloquent, and heartfelt. As communication became more rapid—think telegrams, TV news, and now the internet—there seemed to be less and less to say, less mulling over and more mugging for the camera. In Future Shock, Alvin Toffler indicated that our entire society suffered from PTSD, tied to the rapid rate of societal change. That was in 1970: the last half-century has not exactly seen things slow down in our world.

In our own  insular little world of audio discussion forums, the nastiest flames I’ve ever witnessed have been on digital audio boards. You’d think that the “bits is bits” set would be hyper-rational and careful in their discourse, but discussion sometimes devolves to the “I’m right, you’re wrong, I’m brilliant, you’re a scheisskopf” level of kindergarten-speak.

Maybe our mothers were right: if you can’t say something nice….

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#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

Cynically Yours

I won’t beat around the bush: putting Copper together is a lot of work. I don’t recall my exact response when the idea of the magazine was pitched to me by Ye Olde Publisher, but I’m pretty sure it included the phrase, “are you INSANE?” Or something close to it, anyway.

While there is a lot of effort involved, especially as we continue to add contributors and content, there isn’t the stark terror, the flying-without-a-net feeling of the early days. At this point there is a certain certainty in the process, a bit of a routine. For me, the biggest angst after the launch came from the addition of comments directly on the site…and I’ll tell you why.

This column took its name from my reputation as a snarky analyst of the passing parade. While I am rarely shocked by the human ability to screw up a good thing, I never try to hurt anyone, and only say things in print that I would say to a person’s face. I am aware of my dark side, and am strongly aware that pretty much everyone has a dark side.

Because of that, when I became active online nearly twenty years ago, I decided that I would always, always, always use my real name. It’s not like my name is ‘John Smith’; having been a field manager for the Census a couple of lifetimes ago, I can state with reasonable certainty that there is one and only one ‘Bill Leebens’ in the United States. (My son is also named William, but he doesn’t go by ‘Bill’.)

My point is that I have nowhere to hide. If I say something hurtful or hateful or irredeemably boneheaded, I am accountable, and I sure as hell will hear about it from somebody. Do I feel constrained by that? Yes, but in a positive way: it acts as an extension of my conscience. I assure you that I hesitate before hitting SEND. If that’s not evident, just imagine how much worse I would be without that constraint.

Which brings me to that big angst. I think I understand why monikers and noms de pixel are needed. The unfortunate part is that anonymity seems to liberate the aforementioned dark side of many 3 AM posters, who often mistake “I can” for “I should”. Two renowned social scientists have commented apropos of this: Ron White spoke of his infamous “Tater Salad” arrest, saying, “I had the right to remain silent, but I didn’t have the ability.” And I have often quoted Louis CK to friends who had to deal with comments on their sites: “As soon as you crack your knuckles and open up a comments page, you just canceled your subscription to being a good person.”

As it turns out, my fears were largely groundless; aside from an isolated crank or two, comments on Copper have been unfailingly civil, and largely complimentary and appreciative. Phew.

It could be that our audience is simply mature, and mostly devoid of social maladroits. Or it could be fear of The Wrath of Leebs. I don’t know why our commenters are well-behaved, but I’m grateful.

In the bigger picture, however, I’m dismayed by the rise of incivility in America. Blame has largely replaced sincere discussion in public forums, so I suppose it would be ironic to direct blame at something for this degeneration. If I were to blame something/anything, it would be the rise and dominance of “reality” TV. Anthropologists are aware that being watched changes behaviors, so can anyone believe that such staged programs genuinely represent “reality”? Mimicking the non-star stars of reality TV, we have become a nation of ranters and whiners, seeking to inflame at all costs with verbal Molotov cocktails. The immediacy of response on the internet only fans those flames.

In my pretentious teenage years I formulated a string of  “Leebens’ Laws”, one of which was “Leebens’ Law of Inverse Availability”. I’d noted that back when messages took a great while to deliver—say, from a sailor at sea for a year—the messages tended to be articulate, eloquent, and heartfelt. As communication became more rapid—think telegrams, TV news, and now the internet—there seemed to be less and less to say, less mulling over and more mugging for the camera. In Future Shock, Alvin Toffler indicated that our entire society suffered from PTSD, tied to the rapid rate of societal change. That was in 1970: the last half-century has not exactly seen things slow down in our world.

In our own  insular little world of audio discussion forums, the nastiest flames I’ve ever witnessed have been on digital audio boards. You’d think that the “bits is bits” set would be hyper-rational and careful in their discourse, but discussion sometimes devolves to the “I’m right, you’re wrong, I’m brilliant, you’re a scheisskopf” level of kindergarten-speak.

Maybe our mothers were right: if you can’t say something nice….

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