COPPER

A PS Audio Publication

Issue 145 • Free Online Magazine

Issue 145 BE HERE NOW

Sweet Summer Songs

Sweet Summer Songs

Welcome to the latest edition of Be Here Now, the column/playlist for folks who would like to discover outstanding contemporary artists but could use a little help navigating all of the new music out there.

Here is a link to the Be Here Now Spotify playlist, which includes songs from all the artists mentioned in this column and many more:

https://open.spotify.com/playlist/2wP2igLLqtR2lE9xz2LZds?si=98TccKASQMWhi8C5s0DbYA

After a summer of heavy immersion, the following songs get better with each play. These are tracks worthy of repeat listening:

Rüfüs Du Soul, “Alive” – This Australian trio has been making hypnotic, hooky electronic music for a few years now and their following has grown to the point that they are now headlining festivals. Unlike a number of artists in the genre, they also write great songs, and the shimmering “Alive” is irresistible.

 

 

 

Yola, “Starlight” – Yola burst on the scene in 2019, getting a nomination for Best New Artist at the Grammys and mining a rootsy groove with the assistance of producer Dan Auerbach (The Black Keys). A knockout singer, her new song “Starlight” taps into old school Tina Turner and Bonnie Raitt but keeps it oh so fresh.

Foo Fighters, “Making A Fire (Mark Ronson Re-Version)” – The Foo Fighters are one of the great bands of the 21st century but one doesn’t think of them as funky or loose. Super-producer Mark Ronson transforms “Making A Fire,” a perfectly fine track from their new album, into a soulful celebration complete with turn of the ’70s Stones-style backup singers and jamming guitars.

Grandson, “Dirty” – Grandson is Jordan Benjamin, a charismatic Canadian, who combines topical songwriting with earworm breaks. He writes from a pessimistic perspective, but the music is often celebratory, and he is a force in concert.

 

 

 

Wet Leg, “Chaise Longue” – Minimalist, irresistible, might be a novelty song, might be a sign of something much bigger. A series of provocative phrases – “Would you like us to send someone to butter your muffin?” surround a one-line chorus and irrepressible guitar riff.

 

 

 

Parcels, “Comingback” – Parcels makes jubilant, sleek pop music and their rousing new single is an optimistic paean to finding joy and perseverance in these challenging times.

 

 

 

Big Red Machine, “Phoenix” – Big Red Machine is a sort of indie supergroup led by Aaron Dessner (The National) and Justin Vernor (Bon Iver) with help from a variety of esteemed indie icons. “Phoenix” is retro-comfy with a back-to-the-country vibe, sweet harmonies and a lightly lilting piano leading the way.

Brandi Carlisle, “Right On Time” – The first single from her upcoming album is a heartbreaking, towering ballad that allows her the opportunity to flex one of the most remarkable voices in contemporary music.

The Knocks featuring Foster The People, “All About You” – Electronic music producers the Knocks (named for all the knocks they received on their door for playing their music too loud) have teamed with a number of acts to produce great pop songs over the last few years. Their new collaboration meshes Foster The People’s melodic chops with a bouncy track featuring a drop dead break and church-style background vocals.

Follow Cliff on social media:

Instagram: @cchenfeld
Twitter: @ChenfeldCliff

Header image of Wet Leg by Hollie Fernando.

More from Issue 145

View All Articles in Issue 145

Search Copper Magazine

#232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026 #232 My Impressions of AXPONA 2026, Part 2 by Frank Doris Jul 06, 2026 #232 How to Play in a Rock Band, 25: Encounters With Famous Musicians, Part Three by Frank Doris Jul 06, 2026 #232 Budgets, and Systems From Small to Outrageous by Paul McGowan Jul 06, 2026 #232 PS Audio in the News by PS Audio Staff Jul 06, 2026 #232 Hand It Over by Frank Doris Jul 06, 2026 #232 Difference of Opinion by Peter Xeni Jul 06, 2026 #232 Wabi-sabi Tree by James Schrimpf Jul 06, 2026 #231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026

Sweet Summer Songs

Sweet Summer Songs

Welcome to the latest edition of Be Here Now, the column/playlist for folks who would like to discover outstanding contemporary artists but could use a little help navigating all of the new music out there.

Here is a link to the Be Here Now Spotify playlist, which includes songs from all the artists mentioned in this column and many more:

https://open.spotify.com/playlist/2wP2igLLqtR2lE9xz2LZds?si=98TccKASQMWhi8C5s0DbYA

After a summer of heavy immersion, the following songs get better with each play. These are tracks worthy of repeat listening:

Rüfüs Du Soul, “Alive” – This Australian trio has been making hypnotic, hooky electronic music for a few years now and their following has grown to the point that they are now headlining festivals. Unlike a number of artists in the genre, they also write great songs, and the shimmering “Alive” is irresistible.

 

 

 

Yola, “Starlight” – Yola burst on the scene in 2019, getting a nomination for Best New Artist at the Grammys and mining a rootsy groove with the assistance of producer Dan Auerbach (The Black Keys). A knockout singer, her new song “Starlight” taps into old school Tina Turner and Bonnie Raitt but keeps it oh so fresh.

Foo Fighters, “Making A Fire (Mark Ronson Re-Version)” – The Foo Fighters are one of the great bands of the 21st century but one doesn’t think of them as funky or loose. Super-producer Mark Ronson transforms “Making A Fire,” a perfectly fine track from their new album, into a soulful celebration complete with turn of the ’70s Stones-style backup singers and jamming guitars.

Grandson, “Dirty” – Grandson is Jordan Benjamin, a charismatic Canadian, who combines topical songwriting with earworm breaks. He writes from a pessimistic perspective, but the music is often celebratory, and he is a force in concert.

 

 

 

Wet Leg, “Chaise Longue” – Minimalist, irresistible, might be a novelty song, might be a sign of something much bigger. A series of provocative phrases – “Would you like us to send someone to butter your muffin?” surround a one-line chorus and irrepressible guitar riff.

 

 

 

Parcels, “Comingback” – Parcels makes jubilant, sleek pop music and their rousing new single is an optimistic paean to finding joy and perseverance in these challenging times.

 

 

 

Big Red Machine, “Phoenix” – Big Red Machine is a sort of indie supergroup led by Aaron Dessner (The National) and Justin Vernor (Bon Iver) with help from a variety of esteemed indie icons. “Phoenix” is retro-comfy with a back-to-the-country vibe, sweet harmonies and a lightly lilting piano leading the way.

Brandi Carlisle, “Right On Time” – The first single from her upcoming album is a heartbreaking, towering ballad that allows her the opportunity to flex one of the most remarkable voices in contemporary music.

The Knocks featuring Foster The People, “All About You” – Electronic music producers the Knocks (named for all the knocks they received on their door for playing their music too loud) have teamed with a number of acts to produce great pop songs over the last few years. Their new collaboration meshes Foster The People’s melodic chops with a bouncy track featuring a drop dead break and church-style background vocals.

Follow Cliff on social media:

Instagram: @cchenfeld
Twitter: @ChenfeldCliff

Header image of Wet Leg by Hollie Fernando.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: