Copper


10 More Great Music Documentaries

Issue 159Featured

A lot of people turned to binge watching during the pandemic lockdowns. Although I wasn’t binging, I did take the opportunity to check out a number of documentaries about bands,...

The Day the Music Died

Issue 159Featured

Dear intrepid reader: I’m sure when you first saw the title of this article, you naturally assumed I would work Don McLean’s song of the same name into it. Sorry,...

The SweetVinyl SugarCube SC-1 Plus, Part Two

Issue 159FROM THE SWEET SPOT

I have had the SweetVinyl SugarCube SC-1 Plus going on three months now.  In my last article about the SC-1 Plus (Issue 154), I explained the SugarCube’s functions, and gave my initial impressions of how...

Back to My Reel-to Reel-Roots, Part 11

Issue 159Natural Born Kessler

High Crimes and Misdemeanors Nobody ever accused the record labels of unnecessary largesse. While the audiophile companies like Impex, Analogue Productions, Mobile Fidelity, Speakers Corner, Intervention and others show care...

Using EQ With Speakers: Some Limitations

Issue 159Speaker Stories

In a previous article (Issue 158), we considered how it would possible to make meaningful adjustments to the in-room frequency response curve of our loudspeakers, by the use of a parametric EQ....

Still Got the Knack: Rock Bassist Prescott Niles

Issue 159Disciples of Sound

The Knack officially arrived on the scene in June of 1979 and set the music world on fire with their mesmerizing rocker “My Sharona.” It was Capitol Records’ fastest Gold record debut...

Around the World In 80 Lathes, Part Nine

Issue 159Revolutions Per Minute

Previous installments covered the earlier history of Neumann lathes. Neumann record-cutting lathes came with a groove inspection microscope, which slid across the platter on a monorail guide with a rack...

Jim Anderson and Ulrike Schwarz: Immersive Audi...

Issue 159The Copper Interview

With multiple Grammy Award wins and nominations to their credit, as well as European awards such as the Echo Klassik and Le Diamant d’Opera, Jim Anderson and Ulrike Schwarz have...

Octave Records Releases Audiophile Masters, Vol...

Issue 159Octave Pitch

Octave Records has released Audiophile Masters, Volume V, the latest in its series of reference-quality music sampler discs. Volume V features world-renowned cellist Zuill Bailey playing a selection from the Bach Cello Suites, plus jazz...

The Murky Landscape of Music Creation and Owner...

Issue 159Deep Dive

The origins of music are generally linked to mythological, religious, and/or philosophical beliefs. Ancient Chinese musical instrumentation, for example, was used in order to appeal to the supernatural, for dance,...

Three Days With Frank Sinatra, Part Two: Gradua...

Issue 159Featured

It had been a year since I saw Frank Sinatra last. (Part One of this series appears in Issue 158.) The sauce-making story got plenty of mileage and I felt like...

Time Passages

Issue 159Opening Salvo

It is with deep sadness that we report the passing of WL “Woody” Woodward, one of Copper’s most beloved writers, and director of operations at PS Audio. His singular writing style and...

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Pilgrimage to Sturgis, Part 17

Issue 159New Vistas

Some of the seniors dropped in briefly for coffee after Lonnie Many Bears and his grandson left the saloon by the trout pond. Other than that, it was quiet for a couple of hours until a...

"Time," Part Two

Issue 159FROM THE SWEET SPOT

As if from The Dark Side of the Moon by Pink Floyd… Spinning away the CDs that make up a bright dayHall and Oates play in the hours that make up the...

Head Land

Issue 159Parting Shot

This photo is called Head Land because of the dreamlike cloud formation and its heady feel. Taken at Gara Point, South Devon, UK, at the mouth of the Yealm estuary,...

Something for Everyone

Issue 159Audio Anthropology

Make that more than 100 years. 1975 ad for the imaginatively-named Garrard Zero Tracking Error Tonearm. When it comes to vinyl playback, everyone’s got an angle.   Ken Kessler: in...

Clarinetist Don Byron: You Can't Pin Him Down

Issue 159Trading Eights

Some things in this world are impossible to pin down. Clarinetist Don Byron’s favorite genre seems to be one of them. Jazz? Yes, but jazz is a whole universe of...

Copper and PS Audio's WL "Woody" Woodward: In M...

Issue 159Frankly Speaking

It was the kind of message you never want to get. On March 16, 2022, Paul McGowan informed me that Copper writer and PS Audio director of operations WL “Woody” Woodward had...

The Mystery of the New York Acoustics Nova 1 Lo...

Issue 159To Be Determined

Roy Brunjes was a petroleum engineering graduate of Penn State University, and worked for thirty years with Texaco, including a ten-year stint in England as part of the North Sea...

Everything but the Girl: British Sophisti-Pop

Issue 159Off the Charts

On Beverly Road in Hull, England, there used to be an old furniture shop called Turner’s. Its slogan was painted across the front awning: “Everything but the girl.” Two young...

Kevin Whelan of the Wrens and Aeon Station

Issue 158Idle Chatter

Kevin Whelan is an indie-rock veteran who had long been on the scene with his band, the Wrens. The group, dating back to 1989, has been beloved by fans and...

Jim Anderson and Ulrike Schwarz: Immersive Audi...

Issue 158The Copper Interview

With multiple Grammy Award wins and nominations to their credit, as well as European awards such as the Echo Klassik and Le Diamant d’Opera, Jim Anderson and Ulrike Schwarz have...

The Florida Audio Expo 2022 – A Bold Step Towar...

Issue 158To Be Determined

My second trip to the Florida Audio Expo (FAE) in Tampa was one that was marked with a certain amount of uncertainty and anxiety on my part. Initially, I was...

Three Days with Frank Sinatra, Part One

Issue 158Featured

Bill and Judy Green hosted parties for the Who’s Who of the day’s society pages. I recognized most of the people who regularly attended, not only from TV and movies...

Around the World In 80 Lathes, Part Eight

Issue 158Revolutions Per Minute

Introduced in 1970, the Neumann VMS-70 was the result of the continued evolution of the company’s AM 31 (introduced in 1931 as the first Neumann disk recording lathe), keeping the...

Nero Fiddles While Rome…

Issue 158Twisted Systems

Sorry folks but I’m having a hard time thinking about the state of my current audio system or writing about music. The Russian attack on Ukraine has just about eaten...

Sometimes I Sit and Listen to Courtney Barnett

Issue 158Wayne's Words

Courtney Barnett had me the first time I heard “Pedestrian at Best,” from her 2015 debut album, Sometimes I Sit and Think, Sometimes I Just Sit, which, if you spend any time...

Confessions of a Setup Man, Part 14: The Reluct...

Issue 158Frankly Speaking

I don’t think I really have the temperament to be an audio product reviewer. That’s because I don’t like saying bad things about products or people. Even if they deserve...

The Ups and Downs of Touring

Issue 158True-Life Rock Tales

As the spring of 1971 turned into summer we continued along with Superstar’s bus and truck tour. (see “Calling the Lubbock Lights” in Issue 156 for the previous installment about the Superstar, The Original Touring...

How Do You Q? Adjusting A Speaker’s Frequency R...

Issue 158Speaker Stories

Do you want to make adjustments to your speaker’s in-room frequency response and quell those unwanted pesky peaks and dips? Do you understand how equalization (EQ) works but have always...

Ann Wilson: From Heart to Fierce Bliss

Issue 158Disciples of Sound

It is sometimes rare to find established artists who have something new to say, something new to prove, or some new creative impulse they simply have to share. Ann Wilson...

Springtime Solace

Issue 158Opening Salvo

For me, music always has been, is, and will be, solace. Even during, and perhaps because of, the toughest times. In this issue: Wayne Robins sometimes sits and listens to Courtney...

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Stairway to Fremer

(To the tune of Led Zeppelin's "Stairway to Heaven") There's a lady who's sure all that glitters are tubes And her name sounds just like EveAnna Manley,” When she gets...

Pilgrimage to Sturgis, Part 16

Issue 158New Vistas

That evening, I related to Melody’s family the story of the interesting dialogue I’d heard from the senior citizens on the beach. Melody’s brother started laughing. “You don’t think they’re...

Back to My Reel-to Reel-Roots, Part 10

Issue 158Natural Born Kessler

In which Ken Kessler makes a discovery linked to his dad. Only the churlish would deny that there’s an element of nostalgia in the Reel-to-Reel Revival, however much the inescapably...

Spring Is in the Airwaves

Issue 158Audio Anthropology

A pair of ultra-rare circa 1970s KA/Kustom Acoustics loudspeakers, model number unknown, spotted at Angry Mom Records in Ithaca, NY. KA was based in Chicago and is not to be...

Speak, Friend, and Enter

Issue 158Parting Shot

A church entrance in Stow-on-the-Wold, England, that our guide said was the inspiration for the entrance to the Mines of Moria from The Lord of the Rings. We were told that J.R.R....

Who's Afraid of the Big Bad Wolf?

Issue 158The Mindful Melophile

Many listeners avoid 20th-century classical music: they associate it with compositions that are aggressive, clamorous, dissonant and, in general, irritating. They don’t like the atonal or 12-tone (dodecaphonic) music that...

Francisco Guerrero: Catching On Again, Five Cen...

Issue 158Something Old / Something New

The Spanish composer Francisco Guerrero (1528 – 1599) might be nearly unknown outside of early-music and choral circles, but his name keeps popping up on albums over the past couple...

Yusuf/Cat Stevens: Soundtrack of the Seventies,...

Issue 158Off the Charts

His folky, insightful songs, brimming with humor and pathos, helped create the soundtrack to the 1970s. And then Cat Stevens left the field, changing his name and devoting himself to...

My First Speakers

Issue 158Speaker Stories

As promised back in my article, “Shop Class” (Issue 151), it was time to build some speakers. I had already built a preamp from a Popular Electronics article, but had no way to really...

John Klemmer, Part Two: The Saxophone Touch

Issue 158Featured

Part One (Issue 157) covered John Klemmer’s early recordings from 1967 – 1970. With five albums at the Cadet and Cadet Concept labels behind him, Klemmer made a move to Impulse!...

Choosing New Speakers: Not Left on the Shelf

Speaker Stories

I have recently written a pair of articles about the value of Spinorama speaker measurement data (Issue 156 and Issue 155). Spinorama produces a set of data derived from measuring a speaker’s...

The Two Sides of Billy Preston

Deep Dive

Old-school 45-rpm records have an A- and B-side. The A-side is the featured song an artist or producer believes has “hit” potential. The B-side is considered less promising, though occasionally...

Jim Anderson and Ulrike Schwarz: Immersive Audi...

Issue 157The Copper Interview

Jim Anderson and Ulrike Schwarz have multiple Grammy Award wins and nominations to their credit, as well as European awards such as the Echo Klassik and Le Diamant d’Opera. The...

Timeless Elegance

Issue 157Audio Anthropology

A stunning Philips GA 312 turntable, circa late 1970s. People were wowed by its touch-sensitive illuminated controls. Close up of the GA 312. The light-up controls are the three buttons...