COPPER

A PS Audio Publication

Issue 52 • Free Online Magazine

Issue 52 INDUSTRY NEWS

Some Good News, Some Bad News

In Copper #51 we wrote about the demise of Thiel Audio.  The reality of the situation was that the Thiel that was important to audiophiles and music lovers, died long ago. The company that recently went out of business merely carried a familiar name.

There is good new coming out of that demise, however. The service department of Thiel was the only part of the “real Thiel” that still remained in existence, and it has been run by Rob Gillum, who started with Thiel in 1981. Gillum recently purchased the service department, parts, materials and all, from Thiel. The thousands of Thiel speakers out in the world can be maintained, repaired and updated—Gillum is working on what he calls “hot rod” kits to upgrade the performance of old models—by the leading expert in the field.

Our friend Ted Green at the Strata-gee newsletter delivered the full story here.  A website for the new/old venture, Coherent Source Service, can be found here.

And now for the bad news. Thiel and Gibson have been paired in this column more than once. The big story for Gibson, which owns a number of audio and musical instrument companies, has been the incredible debt load the company is carrying.

Gibson recently elected to present new products at CES rather than at musical instrument show NAMM, as they have traditionally done, increasing talk of financial woes. Just in the last week, the company’s CFO left, and while the company was able to make a $16M coupon payment on a $375M loan, fears of bankruptcy continue, and the company seeks to restructure its debt with a loan package of over haldf a billion dollsrd—$550M.

As usual, Strata-gee has all the details.

More from Issue 52

View All Articles in Issue 52

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Some Good News, Some Bad News

In Copper #51 we wrote about the demise of Thiel Audio.  The reality of the situation was that the Thiel that was important to audiophiles and music lovers, died long ago. The company that recently went out of business merely carried a familiar name.

There is good new coming out of that demise, however. The service department of Thiel was the only part of the “real Thiel” that still remained in existence, and it has been run by Rob Gillum, who started with Thiel in 1981. Gillum recently purchased the service department, parts, materials and all, from Thiel. The thousands of Thiel speakers out in the world can be maintained, repaired and updated—Gillum is working on what he calls “hot rod” kits to upgrade the performance of old models—by the leading expert in the field.

Our friend Ted Green at the Strata-gee newsletter delivered the full story here.  A website for the new/old venture, Coherent Source Service, can be found here.

And now for the bad news. Thiel and Gibson have been paired in this column more than once. The big story for Gibson, which owns a number of audio and musical instrument companies, has been the incredible debt load the company is carrying.

Gibson recently elected to present new products at CES rather than at musical instrument show NAMM, as they have traditionally done, increasing talk of financial woes. Just in the last week, the company’s CFO left, and while the company was able to make a $16M coupon payment on a $375M loan, fears of bankruptcy continue, and the company seeks to restructure its debt with a loan package of over haldf a billion dollsrd—$550M.

As usual, Strata-gee has all the details.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: