COPPER

A PS Audio Publication

Issue 101 • Free Online Magazine

Issue 101 TRUE-LIFE RADIO TALES

In and Out at WAMS and Getting WARM

In and Out at WAMS and Getting WARM

Station Seven: WAMS-AM

The seventh radio station in my career was back at WAMS in Wilmington, Delaware where I had been previously successful. What a homecoming. I loved the beautiful neighborhood where the studios were. I found a great condo.

I was fired on my sixth day.

My program director explained to me, very seriously, that for some reason, my voice didn’t go through the transmitter! Yup. I explained it had gone through very well on my last stint at WAMS, and that I’d buy a new microphone or whatever he thought necessary to get me back on the air.  Nope. I cried. Still nope. Down like Joe Frazier! I think the Frazier – Foreman fight might have lasted longer than my second round at WAMS.

My mother still lived outside Philadelphia so I camped there while I sent audition tapes out, trying to stay in the biz. I got a bite from a radio station in Scranton, PA. Not exactly a high-profile move up, but I took the job, and I feel that I really learned radio there.

Station Eight: WARM

“It’s always warm for me.” Either one of the radio personalities or a recorded voice said that regularly. The station was WARM-AM, with a darn good signal, since it broadcast at 590 AM, at the lower end of the dial.  When it rained, though, the wires to the transmitter got wet and we sounded like a cheap phone.

“The Mighty 590” had real personalities and they performed daily, with a darn good news department, a good general manager and a program director with major market experience. I worked 7:00 pm to midnight, plus I did production of commercials as needed. One advantage of that shift is the cleaning crew would come in and unlock the program director’s office. I got very good at reading upside down, because I’d do a nightly scan of his office desk just to make sure I wasn’t in trouble. Like, say, for invading his office. Didn’t touch anything – just read what was sitting on his desk. I was pretty insecure after my not-so-successful six-day return trip to WAMS.

But they wouldn’t let me be me. The afternoon guy was named Bob Woody and used his real name. The management didn’t think it would be a good idea to have him followed by Bob Wood, so I chose the radio name Christopher Sky. Part of my deal with WARM was a trade-out for an hour or two of weekly airplane rental time at a local airport. [Bob is a licensed pilot  Ed.]

So, being a flyer I thought Sky was a unique name, and liked the cadence of Christopher Sky (never Chris). I had never been anyone but myself, so it was strange to take on an alternate persona, and I asked those who knew my real name not to use it as it when I was at the station as it would inevitably goof me up. I never said my “wrong” real name on the air, but did say the wrong station name once or twice. My show was unique, well-rated, and jammed with news, features, many commercials, and me playing the hits.


Skyyyy…pilot!

I never got used to five-hour air shifts, always running out of gas in the fifth hour.

WARM was, essentially, a top station worthy of a larger market. I feel I “learned” radio there, as the personalities were talented, varied and great to study. Later in life I’d put some of the lessons I learned at WARM to use. I learned what’s it took to build a good full-service radio station, what’s it’s like to be on the air on a station with a great signal and how to mirror and reflect the needs of the community we were in. I also learned what true radio personalities did, and what being one was like. I would get teenybopper girls hanging out at my apartment door (I never took advantage of them) and walk through the mall and hear voices (real shoppers, not voices in my head) pointing me out as a local celebrity.


Remote broadcasting 1970s style.

One great thing about WARM was how I felt appreciated by the management. That really builds your confidence. I also found out what everyone at the station was paid and I felt it a fair distribution – the morning man (and it was always men in those days) always made the most, as was the case at WARM, but as evening guy I wasn’t being paid a pittance, which was typical for some stations. Plus, I got to fly.

Some snapshots of life at WARM:

The weekend news guy was all hyped up because he had a “foolproof” betting system that was “working with the horses.” Several weeks later he came in very sad. The system had failed. Let’s just say big time…

I figured WARM was the only radio station which Patty Hearst, then on loan to the Symbionese Liberation Army, could pick up, once it came to be known where they were all hiding.

My apartment complex was said to have been a haven for swingers, but that was before my arrival. But, no swinging when I got there.

I had a date on Christmas Eve and she fell in the parking lot and broke her ankle. She wouldn’t get out of the hospital until New Year’s Day. I had to call her dad and explain what happened. Her dad was coming from midnight mass…and he looked like a mobster. Happily I’m still here to tell the tale.

I did manage to smuggle, decorate, and light a real Christmas tree in her room before they caught me though.

I decided I someday wanted to be the boss of what went on the air…so I eventually managed to become a program director in Canada. I must note that in 1973 studded tires are not allowed over the border. But that’s another story.


Contemplating the end of the Swinging Sixties.

More from Issue 101

View All Articles in Issue 101

Search Copper Magazine

#228 Serita’s Black Rose Duo Shakes Your Soul With a Blend of Funk, Rock, Blues and a Whole Lot More by Frank Doris Mar 02, 2026 #228 Vinyl, A Love Story by Wayne Robins Mar 02, 2026 #228 Thrill Seeker by B. Jan Montana Mar 02, 2026 #228 The Vinyl Beat: Donald Byrd, Bill Evans, Wes Montgomery, Eddie Palmieri and Frank Sinatra by Rudy Radelic Mar 02, 2026 #228 Listening to Prestige: The History of a Vitally Important Jazz Record Label by Frank Doris Mar 02, 2026 #228 How to Play in a Rock Band, 21: Touring With James Lee Stanley by Frank Doris Mar 02, 2026 #228 The NAMM 2026 Show: The Music Industry’s Premier Event by John Volanski Mar 02, 2026 #228 The Earliest Stars of Country Music, Part Two by Jeff Weiner Mar 02, 2026 #228 From The Audiophile's Guide: A Brief History of Stereophonic Sound by Paul McGowan Mar 02, 2026 #228 A Bone to Pick With Streaming Audio by Frank Doris Mar 02, 2026 #228 Blast Off With Bluesman Duke Robillard by Ray Chelstowski Mar 02, 2026 #228 A Visit to the Marten Loudspeaker Factory in Göteborg, Sweden by Ingo Schulz and Sebastian Polcyn Mar 02, 2026 #228 Pure Distortion by Peter Xeni Mar 02, 2026 #228 A Nagra Factory Tour by Markus "Marsu" Manthey Mar 02, 2026 #228 Back to My Reel-to-Reel Roots, Part 27: Noodge and Ye Shall Receive, Part Two by Ken Kessler Mar 02, 2026 #228 PS Audio in the News by PS Audio Staff Mar 02, 2026 #228 90-Degree Stereo by Frank Doris Mar 02, 2026 #228 The Keys to Art by Rich Isaacs Mar 02, 2026 #227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026

In and Out at WAMS and Getting WARM

In and Out at WAMS and Getting WARM

Station Seven: WAMS-AM

The seventh radio station in my career was back at WAMS in Wilmington, Delaware where I had been previously successful. What a homecoming. I loved the beautiful neighborhood where the studios were. I found a great condo.

I was fired on my sixth day.

My program director explained to me, very seriously, that for some reason, my voice didn’t go through the transmitter! Yup. I explained it had gone through very well on my last stint at WAMS, and that I’d buy a new microphone or whatever he thought necessary to get me back on the air.  Nope. I cried. Still nope. Down like Joe Frazier! I think the Frazier – Foreman fight might have lasted longer than my second round at WAMS.

My mother still lived outside Philadelphia so I camped there while I sent audition tapes out, trying to stay in the biz. I got a bite from a radio station in Scranton, PA. Not exactly a high-profile move up, but I took the job, and I feel that I really learned radio there.

Station Eight: WARM

“It’s always warm for me.” Either one of the radio personalities or a recorded voice said that regularly. The station was WARM-AM, with a darn good signal, since it broadcast at 590 AM, at the lower end of the dial.  When it rained, though, the wires to the transmitter got wet and we sounded like a cheap phone.

“The Mighty 590” had real personalities and they performed daily, with a darn good news department, a good general manager and a program director with major market experience. I worked 7:00 pm to midnight, plus I did production of commercials as needed. One advantage of that shift is the cleaning crew would come in and unlock the program director’s office. I got very good at reading upside down, because I’d do a nightly scan of his office desk just to make sure I wasn’t in trouble. Like, say, for invading his office. Didn’t touch anything – just read what was sitting on his desk. I was pretty insecure after my not-so-successful six-day return trip to WAMS.

But they wouldn’t let me be me. The afternoon guy was named Bob Woody and used his real name. The management didn’t think it would be a good idea to have him followed by Bob Wood, so I chose the radio name Christopher Sky. Part of my deal with WARM was a trade-out for an hour or two of weekly airplane rental time at a local airport. [Bob is a licensed pilot  Ed.]

So, being a flyer I thought Sky was a unique name, and liked the cadence of Christopher Sky (never Chris). I had never been anyone but myself, so it was strange to take on an alternate persona, and I asked those who knew my real name not to use it as it when I was at the station as it would inevitably goof me up. I never said my “wrong” real name on the air, but did say the wrong station name once or twice. My show was unique, well-rated, and jammed with news, features, many commercials, and me playing the hits.


Skyyyy…pilot!

I never got used to five-hour air shifts, always running out of gas in the fifth hour.

WARM was, essentially, a top station worthy of a larger market. I feel I “learned” radio there, as the personalities were talented, varied and great to study. Later in life I’d put some of the lessons I learned at WARM to use. I learned what’s it took to build a good full-service radio station, what’s it’s like to be on the air on a station with a great signal and how to mirror and reflect the needs of the community we were in. I also learned what true radio personalities did, and what being one was like. I would get teenybopper girls hanging out at my apartment door (I never took advantage of them) and walk through the mall and hear voices (real shoppers, not voices in my head) pointing me out as a local celebrity.


Remote broadcasting 1970s style.

One great thing about WARM was how I felt appreciated by the management. That really builds your confidence. I also found out what everyone at the station was paid and I felt it a fair distribution – the morning man (and it was always men in those days) always made the most, as was the case at WARM, but as evening guy I wasn’t being paid a pittance, which was typical for some stations. Plus, I got to fly.

Some snapshots of life at WARM:

The weekend news guy was all hyped up because he had a “foolproof” betting system that was “working with the horses.” Several weeks later he came in very sad. The system had failed. Let’s just say big time…

I figured WARM was the only radio station which Patty Hearst, then on loan to the Symbionese Liberation Army, could pick up, once it came to be known where they were all hiding.

My apartment complex was said to have been a haven for swingers, but that was before my arrival. But, no swinging when I got there.

I had a date on Christmas Eve and she fell in the parking lot and broke her ankle. She wouldn’t get out of the hospital until New Year’s Day. I had to call her dad and explain what happened. Her dad was coming from midnight mass…and he looked like a mobster. Happily I’m still here to tell the tale.

I did manage to smuggle, decorate, and light a real Christmas tree in her room before they caught me though.

I decided I someday wanted to be the boss of what went on the air…so I eventually managed to become a program director in Canada. I must note that in 1973 studded tires are not allowed over the border. But that’s another story.


Contemplating the end of the Swinging Sixties.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: