COPPER

A PS Audio Publication

Issue 76 • Free Online Magazine

Issue 76 MUSIC'AL NOTES

Citizenship

“Oh, you speak English? Thank God. You’re the first one today,” said the immigration officer.

I came to the U.S. in 1970, following the love of my life. We spent the first year in Binghamton, NY and after marrying, we moved to Israel for four years. My wife worked as an artist in Tel Aviv. She landed a job at AT magazine, a women’s publication owned by Maariv, Israel’s largest newspaper at the time. She had always wanted to study graphic art, so she applied for and subsequently was accepted into Bezalel Academy of Arts and Design in Jerusalem and Parsons School of Design in New York. New York beat out Jerusalem, so in 1975 we moved there, ostensibly for 2-3 years. Somehow we never left.

As I was married to a U.S. citizen, I had applied for a green card in Israel, and in those days, it was a relatively easy process. The questionnaire was somewhat amusing.

“Are you a prostitute?”

“Have you ever been arrested or convicted of a crime?”

“Have you ever been a member of a political party?”

The questions seemed somewhat simple-minded, and it was only years later that I realized that the questions weren’t really that important; the answers were. It is much easier to deport a person for lying on the application than it is to deport him or her for errant behavior.

After about 10 years of working and paying taxes, I decided it was time to apply for citizenship. Being a political junkie, I also wanted to start voting. I studied for the test.

“What are two rights of everyone living in the U.S.?”

“What do we show loyalty to when we say the Pledge of Allegiance?”

I wonder if I could answer them all now.

When I met the officer, who was thrilled that I could speak English, he asked me, “Who makes the laws?”

“The Legislature?” I answered.

“No.”

I was baffled.

“Cong… Cong…” he volunteered.

“Oh, you mean Congress?” I replied.

“Yes. Very good.”

Even though I did know the answers, his coaching was amusing. Needless to say, I passed with flying colors and about a year later I was invited to the swearing-in ceremony.

The ceremony took place at the main courthouse in Brooklyn, whose website currently describes the location as “the site of General George Washington’s escape from Manhattan during the American Revolution, an escape that ensured a later victory for his army.” What a historic site for a building that epitomizes American democracy.

The day I attended the ceremony, there were over a hundred people waiting to become U.S. citizens. They seemed to have come from all over the world, but as a resident New Yorker, seeing this mélange of people was unremarkable. A United States District Court Judge presided. He was a tall, warm man in his sixties. He talked about the great honor it was to become an American Citizen. He also spoke about the responsibility and duties that came with the process.

He told us how earlier in the century his parents had come from Calabria, Italy, penniless, searching for a better life, and finally escaping the grinding poverty of their native land. How they worked hard to raise a family and educate them, because this was the way to a better life in the US. And now here he was, a United States District Court Judge, the product of their struggle, swearing in new immigrants. I found the ceremony beautiful and touching, and even though it was tinged with jingoism, I felt pride receiving my certificate. When it was over, I noticed a large bowl near the exit into which many people, clutching their naturalization certificates, were joyfully discarding their old papers and passports.

This was in 1985, and today I can’t help contrasting this poignant ceremony with the discourse in current politics; singling out immigrants as somehow dangerous or irrelevant. Most of them are just like the parents of that judge, poor and afraid. People like that become the best citizens because they are here to try to improve their lives, not to play the system.

We are a country of immigrants, just a generation or two away from the “Old Country,” and almost all of us are proud of our American Citizenship and our heritage.

The ceremony over, I walked to the nearest post office and gleefully applied for a U.S. Passport.

More from Issue 76

View All Articles in Issue 76

Search Copper Magazine

#234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026 #233 A Remarkable Discographic Legacy: The LP Recordings of the Basel Symphony Orchestra by Stephan Haberthür Aug 03, 2026 #233 From The Audiophile’s Guide: The Importance of Loudspeakers by Paul McGowan Aug 03, 2026 #233 From Swimming Pool to New Listening Room: A Conversation with Norman Varney of AV RoomService by Gilles Laferrière Aug 03, 2026 #233 PS Audio in the News by PS Audio Staff Aug 03, 2026 #233 Audio Jewelry by Peter Xeni Aug 03, 2026 #233 Enrich Your Life by Frank Doris Aug 03, 2026 #233 The Searcher by James Schrimpf Aug 03, 2026 #232 What came first: Art or Music? A Conversation With Artist Jose Acosta by Joe Caplan Jul 06, 2026 #232 Blow By Blow: The Jeff Beck Story: An Insightful Book About a Guitar Icon by Ray Chelstowski Jul 06, 2026 #232 Creed Over Camaraderie? by B. Jan Montana Jul 06, 2026 #232 Chronicles of a Sound Pilgrim at the 2026 Montreal Audiofest by Hugues Morin Jul 06, 2026 #232 The Vinyl Beat: Summer Grooves by Rudy Radelic Jul 06, 2026 #232 Hibbing Hillbilly Dylan's Acoustic Rock by Wayne Robins Jul 06, 2026 #232 Quad Quads and Plasmatronics Tweeters: An Extraordinary System Comes to Life by Frank Doris Jul 06, 2026 #232 In Praise of Live Music, Once Again by Ted Shafran Jul 06, 2026 #232 Allnic Audio’s L-9000 Preamplifier: Design and Engineering Innovation by Howard Kneller Jul 06, 2026 #232 “Best Of” Lists and Rage Bait: Enough Already by Frank Doris Jul 06, 2026 #232 Quick Takes: Bud Shank, Paulo Almeida, Jakob Dreyer, Tim Eriksen and Peter Irvine by Frank Doris Jul 06, 2026

Citizenship

“Oh, you speak English? Thank God. You’re the first one today,” said the immigration officer.

I came to the U.S. in 1970, following the love of my life. We spent the first year in Binghamton, NY and after marrying, we moved to Israel for four years. My wife worked as an artist in Tel Aviv. She landed a job at AT magazine, a women’s publication owned by Maariv, Israel’s largest newspaper at the time. She had always wanted to study graphic art, so she applied for and subsequently was accepted into Bezalel Academy of Arts and Design in Jerusalem and Parsons School of Design in New York. New York beat out Jerusalem, so in 1975 we moved there, ostensibly for 2-3 years. Somehow we never left.

As I was married to a U.S. citizen, I had applied for a green card in Israel, and in those days, it was a relatively easy process. The questionnaire was somewhat amusing.

“Are you a prostitute?”

“Have you ever been arrested or convicted of a crime?”

“Have you ever been a member of a political party?”

The questions seemed somewhat simple-minded, and it was only years later that I realized that the questions weren’t really that important; the answers were. It is much easier to deport a person for lying on the application than it is to deport him or her for errant behavior.

After about 10 years of working and paying taxes, I decided it was time to apply for citizenship. Being a political junkie, I also wanted to start voting. I studied for the test.

“What are two rights of everyone living in the U.S.?”

“What do we show loyalty to when we say the Pledge of Allegiance?”

I wonder if I could answer them all now.

When I met the officer, who was thrilled that I could speak English, he asked me, “Who makes the laws?”

“The Legislature?” I answered.

“No.”

I was baffled.

“Cong… Cong…” he volunteered.

“Oh, you mean Congress?” I replied.

“Yes. Very good.”

Even though I did know the answers, his coaching was amusing. Needless to say, I passed with flying colors and about a year later I was invited to the swearing-in ceremony.

The ceremony took place at the main courthouse in Brooklyn, whose website currently describes the location as “the site of General George Washington’s escape from Manhattan during the American Revolution, an escape that ensured a later victory for his army.” What a historic site for a building that epitomizes American democracy.

The day I attended the ceremony, there were over a hundred people waiting to become U.S. citizens. They seemed to have come from all over the world, but as a resident New Yorker, seeing this mélange of people was unremarkable. A United States District Court Judge presided. He was a tall, warm man in his sixties. He talked about the great honor it was to become an American Citizen. He also spoke about the responsibility and duties that came with the process.

He told us how earlier in the century his parents had come from Calabria, Italy, penniless, searching for a better life, and finally escaping the grinding poverty of their native land. How they worked hard to raise a family and educate them, because this was the way to a better life in the US. And now here he was, a United States District Court Judge, the product of their struggle, swearing in new immigrants. I found the ceremony beautiful and touching, and even though it was tinged with jingoism, I felt pride receiving my certificate. When it was over, I noticed a large bowl near the exit into which many people, clutching their naturalization certificates, were joyfully discarding their old papers and passports.

This was in 1985, and today I can’t help contrasting this poignant ceremony with the discourse in current politics; singling out immigrants as somehow dangerous or irrelevant. Most of them are just like the parents of that judge, poor and afraid. People like that become the best citizens because they are here to try to improve their lives, not to play the system.

We are a country of immigrants, just a generation or two away from the “Old Country,” and almost all of us are proud of our American Citizenship and our heritage.

The ceremony over, I walked to the nearest post office and gleefully applied for a U.S. Passport.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: