COPPER

A PS Audio Publication

Issue 68 • Free Online Magazine

Issue 68 MUSIC'AL NOTES

Cairns

As a child growing up in Glasgow, Scotland, I was, from an early age, an avid reader. At one point (maybe I was 8 or 9 years old) I started reading adventure stories about kids travelling to interesting places and doing unusual things—like climbing a palm tree and drinking the juice from a fresh coconut, or collecting flying fish as they landed in the skiff. In cold, wet, miserable Glasgow the idea of just wearing swimming shorts and walking barefoot in the sand was enormously seductive (much later on, I did get to drink from a fresh coconut in the El Yunque rain forest in Puerto Rico and see flying fish off the coast of the Bahamas).

Another of the places I read about was the Great Barrier Reef, off the eastern coast of Australia. Thousands of exotic sea creatures swam these waters in an azure sea. To my sun-starved body, this was the culmination of my dreams.  I vowed one day to go there and snorkel with the fish. It only took me 60 plus years.

On a recent business trip to Sydney, as a way of overcoming jet lag, I had intended to visit friends in Melbourne. But on hearing that the weather there was cold and miserable, I changed my plans and flew to Cairns in far Northern Queensland. In my mind’s eye, Cairns was this dusty colonial town with a few buildings and an occasional kangaroo hopping down a sandy street. Unfortunately, Cairns has turned into a tourist nightmare. It’s one of these, ‘shove them in, and shove them out’ towns. Everything is geared towards milking the foreigner, and it looks like any one of several beachfront towns around the world: numerous shopping malls, too many restaurants, lots of places to buy scuba and snorkeling gear, and an occasional didgeridoo shop.

One evening I came across a duo that was playing very haunting and rhythmic music. One was playing the didgeridoo and the other was playing a Balinese hang drum, a drum reminiscent of a Jamaican steel drum but played by hand. I listened for a while, as the music was hypnotic. When they stopped, I gave them a healthy tip and asked about their music. They told me that they had just met that morning and decided to play together. This was their first performance. Thinking they were local as the hang drum player was very dark skinned and the other well tanned, I asked,

“Where do you come from?”

“Portugal,” said the didgeridoo player.

“Israel,” said the drummer.

There is a train that takes you up to the village of Kuranda. It is a narrow gauge railway with old carriages pulled by a massive diesel train. It was built in the late 1890s as a way of getting supplies from the coast to the highlands of Herberton. It takes just over an hour to climb from Freshwater Station, at sea level to Kuranda at an elevation of 1000 feet.  The train offers spectacular vistas of gorges and waterfalls as it meanders through the rain forest. On board we were served tea and scones as well as local beer followed by ANZAC biscuits, which are dense and delicious.  They were developed during world war one as a high nutrition food that wouldn’t spoil on the long sea journey to the Middle East. The recipe uses rolled oats, sugar, plain flour, coconut, butter, golden syrup, baking soda and boiling water. Apparently it’s an old Scottish recipe.

Kuranda, like Cairns, was another tourist trap with stores selling Australian  knickknacks (made in China). I did visit a butterfly farm and passed a Koala petting zoo but I was quite eager to return via the cable car that passed over the top of the rain forest. The vistas were spectacular, especially on the last leg, which dropped down quite dramatically with a view of Cairns and the Coral Sea beyond. Two young Chinese men from Guangzhou shared my cable car; their English was quite good and they told me they were students of Chinese Medicine. To tease them I held out my arms for them to take my pulse and see if they could find any ailments. One of them took my right arm and after a minute told me that I had a strong pulse and that indicated that I exercised regularly and that I was healthy (both true). The other took my left arm and spent quite a while feeling my pulse. He told me that my right ventricle was slightly stronger than my left ventricle.

“Did you have heart disease?” he asked.

I replied in the affirmative that I had had open-heart surgery over a year ago. His face brightened.

“You mean I am right?”

“Yes,” I replied

“I am so happy,” he said. “You are the first westerner I have touched and I can’t believe I got it right. Can I take a selfie with you?”

The next day I took a catamaran out to the Great Barrier Reef. The clientele were a mix of divers and snorkelers. I was in the latter group. I don’t think I have ever met a more professional crew—solicitous and very detailed about the rules of snorkeling. As I was old, they gave me a special colored life jacket so they could keep an eye on me—just in case.

The reef was disappointing. Instead of beautifully colored coral, most of what I saw was brown and sandy. But some of the fish were spectacular.  I saw Surgeon Fish, Butterfly Fish, Groupers (big ones) and Parrot Fish. I really wanted to see a Clown Fish but they inhabit a certain type of poisonous coral and I missed them. Other travellers saw turtles and Trigger Fish.

On board, I made friends with a charming woman from Malaysia. She was intelligent, attractive, outspoken and amazingly frank. She was also seasick. She really hated the sea and boats but desperately wanted to see the reef. As she was so distressed on the way out, I talked to her a lot to distract her from being sick. This was, I must admit, a little self-serving, as I didn’t want her to wretch over me. At one point she felt well enough to go snorkeling. She suited up and took the plunge. When she returned, I asked her if she was okay. She said yes and handed me her waterproof camera to look at video she had taken. An array of eye-popping, multi-colored fish were gobbling up a mass of bright particles.

“What are they eating?” I asked.

“I vomited in the sea.”

More from Issue 68

View All Articles in Issue 68

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

Cairns

As a child growing up in Glasgow, Scotland, I was, from an early age, an avid reader. At one point (maybe I was 8 or 9 years old) I started reading adventure stories about kids travelling to interesting places and doing unusual things—like climbing a palm tree and drinking the juice from a fresh coconut, or collecting flying fish as they landed in the skiff. In cold, wet, miserable Glasgow the idea of just wearing swimming shorts and walking barefoot in the sand was enormously seductive (much later on, I did get to drink from a fresh coconut in the El Yunque rain forest in Puerto Rico and see flying fish off the coast of the Bahamas).

Another of the places I read about was the Great Barrier Reef, off the eastern coast of Australia. Thousands of exotic sea creatures swam these waters in an azure sea. To my sun-starved body, this was the culmination of my dreams.  I vowed one day to go there and snorkel with the fish. It only took me 60 plus years.

On a recent business trip to Sydney, as a way of overcoming jet lag, I had intended to visit friends in Melbourne. But on hearing that the weather there was cold and miserable, I changed my plans and flew to Cairns in far Northern Queensland. In my mind’s eye, Cairns was this dusty colonial town with a few buildings and an occasional kangaroo hopping down a sandy street. Unfortunately, Cairns has turned into a tourist nightmare. It’s one of these, ‘shove them in, and shove them out’ towns. Everything is geared towards milking the foreigner, and it looks like any one of several beachfront towns around the world: numerous shopping malls, too many restaurants, lots of places to buy scuba and snorkeling gear, and an occasional didgeridoo shop.

One evening I came across a duo that was playing very haunting and rhythmic music. One was playing the didgeridoo and the other was playing a Balinese hang drum, a drum reminiscent of a Jamaican steel drum but played by hand. I listened for a while, as the music was hypnotic. When they stopped, I gave them a healthy tip and asked about their music. They told me that they had just met that morning and decided to play together. This was their first performance. Thinking they were local as the hang drum player was very dark skinned and the other well tanned, I asked,

“Where do you come from?”

“Portugal,” said the didgeridoo player.

“Israel,” said the drummer.

There is a train that takes you up to the village of Kuranda. It is a narrow gauge railway with old carriages pulled by a massive diesel train. It was built in the late 1890s as a way of getting supplies from the coast to the highlands of Herberton. It takes just over an hour to climb from Freshwater Station, at sea level to Kuranda at an elevation of 1000 feet.  The train offers spectacular vistas of gorges and waterfalls as it meanders through the rain forest. On board we were served tea and scones as well as local beer followed by ANZAC biscuits, which are dense and delicious.  They were developed during world war one as a high nutrition food that wouldn’t spoil on the long sea journey to the Middle East. The recipe uses rolled oats, sugar, plain flour, coconut, butter, golden syrup, baking soda and boiling water. Apparently it’s an old Scottish recipe.

Kuranda, like Cairns, was another tourist trap with stores selling Australian  knickknacks (made in China). I did visit a butterfly farm and passed a Koala petting zoo but I was quite eager to return via the cable car that passed over the top of the rain forest. The vistas were spectacular, especially on the last leg, which dropped down quite dramatically with a view of Cairns and the Coral Sea beyond. Two young Chinese men from Guangzhou shared my cable car; their English was quite good and they told me they were students of Chinese Medicine. To tease them I held out my arms for them to take my pulse and see if they could find any ailments. One of them took my right arm and after a minute told me that I had a strong pulse and that indicated that I exercised regularly and that I was healthy (both true). The other took my left arm and spent quite a while feeling my pulse. He told me that my right ventricle was slightly stronger than my left ventricle.

“Did you have heart disease?” he asked.

I replied in the affirmative that I had had open-heart surgery over a year ago. His face brightened.

“You mean I am right?”

“Yes,” I replied

“I am so happy,” he said. “You are the first westerner I have touched and I can’t believe I got it right. Can I take a selfie with you?”

The next day I took a catamaran out to the Great Barrier Reef. The clientele were a mix of divers and snorkelers. I was in the latter group. I don’t think I have ever met a more professional crew—solicitous and very detailed about the rules of snorkeling. As I was old, they gave me a special colored life jacket so they could keep an eye on me—just in case.

The reef was disappointing. Instead of beautifully colored coral, most of what I saw was brown and sandy. But some of the fish were spectacular.  I saw Surgeon Fish, Butterfly Fish, Groupers (big ones) and Parrot Fish. I really wanted to see a Clown Fish but they inhabit a certain type of poisonous coral and I missed them. Other travellers saw turtles and Trigger Fish.

On board, I made friends with a charming woman from Malaysia. She was intelligent, attractive, outspoken and amazingly frank. She was also seasick. She really hated the sea and boats but desperately wanted to see the reef. As she was so distressed on the way out, I talked to her a lot to distract her from being sick. This was, I must admit, a little self-serving, as I didn’t want her to wretch over me. At one point she felt well enough to go snorkeling. She suited up and took the plunge. When she returned, I asked her if she was okay. She said yes and handed me her waterproof camera to look at video she had taken. An array of eye-popping, multi-colored fish were gobbling up a mass of bright particles.

“What are they eating?” I asked.

“I vomited in the sea.”

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: