COPPER

A PS Audio Publication

Issue 74 • Free Online Magazine

Issue 74 THE AUDIO CYNIC

All I Want For Christmas…

All I Want For Christmas…

…is Peace.

And no, I don’t even mean the large-scale, unobtainable kind of peace involved in the World Order. I just mean, can we kindly for once remember that the whole deal of audio and listening to music is about enjoyment and immersion in the brilliant work and talents of others—and not endless, pointless debates of, say, musicality versus accuracy??

This is far from the first time that I’ve raised this objection/rant, and indicative of the endless feuding we see: have you noticed that most audio websites have deleted the number of comments that have posted on even relatively harmless articles like this one? Why is that? Because they don’t want to encourage the pile-ons that result when the bellicose and belligerent start going?

I have a granddaughter coming to our household, and two dogs I’m attempting to make manageable before that arrival. The kind of no-win, endless internecine warfare so intrinsic to audiophilia is just not of interest to me in general, but especially not right now. Not of interest. At all.

I love music, and I know that the challenges involved in reproducing it in any way resembling the real is damned near impossible. Props to all who attempt it, no matter what the method: horns, planars, triodes, MOSFETS, LPs, digital files, whatever. Each and every form has its plus points, and its minuses. If you’ll looking for The One True Way, you’d better go back to reading tales of King Arthur, or something. There is NO ONE RIGHT WAY.

I’ve frequently referred to Colin Chapman, founder of Lotus and one of the most brilliant engineers who ever lived, in any field. Colin had his shortcomings, including the fact that his designs were often so close to the edge that they broke, and sometimes folks died. Like Jim Clark, one of the greatest drivers ever. EVER.

Anyway: with one of his road cars–the first Elite, I think—Chapman was faced with the fact that there just wasn’t enough headroom, and an additional 2″ was needed (okay, say 50mm for you fussy metric types). The options were for him to lower the floor—decreasing ground clearance drastically—or raise the roofline, befouling the aerodynamics.

Chapman explained the dilemma to a hapless, well-meaning bystander—who  said to Chapman, “Well, why don’t you raise the roof one inch,  and lower the floor one inch?”

Chapman was not a large man (as anyone who has attempted to sit in a Lotus Europa can attest), but he was known for his fiery, ferocious, vicious temper. And his response to the suggestion was immediate,intense, and furious: “I can’t DO THAT!?! That’s a bloody COMPROMISE!!”

Sound familiar? Audiophiles are often dogmatic and bound to their particular point of view or school of thought. In the grand scheme of things—and this is true for most doctrinal disputes—it just doesn’t matter. NOBODY CARES.

So, please: as we leave Hanukkah and approach Christmas, Kwanzaa, Boxing Day, Omisoka, New Years Eve, whatever: please. Just stop. Be grateful for music, musicians, and the fact that we are able to enjoy their work in whatever cobbled-together creations we have.

…and Peace Be With You.

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#227 Seth Lewis Gets in the Groove With Take a Look Around: a Tribute to the Meters by Frank Doris Feb 02, 2026 #227 Passport to Sound: May Anwar’s Audio Learning Experience for Young People by Frank Doris Feb 02, 2026 #227 Conjectures on Cosmic Consciousness by B. Jan Montana Feb 02, 2026 #227 The Big Takeover Turns 45 by Wayne Robins Feb 02, 2026 #227 Music and Chocolate: On the Sensory Connection by Joe Caplan Feb 02, 2026 #227 Singer/Songwriter Chris Berardo: Getting Wilder All the Time by Ray Chelstowski Feb 02, 2026 #227 The Earliest Stars of Country Music, Part One by Jeff Weiner Feb 02, 2026 #227 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part Two by Rudy Radelic Feb 02, 2026 #227 How to Play in a Rock Band, 20: On the Road With Blood, Sweat & Tears’ Guitarist Gabe Cummins by Frank Doris Feb 02, 2026 #227 From The Audiophile’s Guide: Audio Specs and Measuring by Paul McGowan Feb 02, 2026 #227 Our Brain is Always Listening by Peter Trübner Feb 02, 2026 #227 PS Audio in the News by PS Audio Staff Feb 02, 2026 #227 The Listening Chair: Sleek Style and Sound From the Luxman L3 by Howard Kneller Feb 02, 2026 #227 The Los Angeles and Orange County Audio Society Celebrates Its 32nd Anniversary, Honoring David and Sheryl Lee Wilson and Bernie Grundman by Harris Fogel Feb 02, 2026 #227 Back to My Reel-to-Reel Roots, Part 26: Half Full – Not Half Empty, Redux by Ken Kessler Feb 02, 2026 #227 That's What Puzzles Us... by Frank Doris Feb 02, 2026 #227 Record-Breaking by Peter Xeni Feb 02, 2026 #227 The Long and Winding Road by B. Jan Montana Feb 02, 2026 #226 JJ Murphy’s Sleep Paralysis is a Genre-Bending Musical Journey Through Jazz, Fusion and More by Frank Doris Jan 05, 2026 #226 Stewardship by Consent by B. Jan Montana Jan 05, 2026 #226 Food, Music, and Sensory Experience: An Interview With Professor Jonathan Zearfoss of the Culinary Institute of America by Joe Caplan Jan 05, 2026 #226 Studio Confidential: A Who’s Who of Recording Engineers Tell Their Stories by Frank Doris Jan 05, 2026 #226 Pilot Radio is Reborn, 50 Years Later: Talking With CEO Barak Epstein by Frank Doris Jan 05, 2026 #226 The Vinyl Beat Goes Down to Tijuana (By Way of Los Angeles), Part One by Rudy Radelic Jan 05, 2026 #226 Capital Audiofest 2025: Must-See Stereo, Part Two by Frank Doris Jan 05, 2026 #226 My Morning Jacket’s Carl Broemel and Tyler Ramsey Collaborate on Their Acoustic Guitar Album, Celestun by Ray Chelstowski Jan 05, 2026 #226 The People Who Make Audio Happen: CanJam SoCal 2025, Part Two by Harris Fogel Jan 05, 2026 #226 How to Play in a Rock Band, 19: Touring Can Make You Crazy, Part One by Frank Doris Jan 05, 2026 #226 Linda Ronstadt Goes Bigger by Wayne Robins Jan 05, 2026 #226 From The Audiophile’s Guide: Active Room Correction and Digital Signal Processing by Paul McGowan Jan 05, 2026 #226 PS Audio in the News by Frank Doris Jan 05, 2026 #226 Back to My Reel-to-Reel Roots, Part 25: Half-Full, Not Empty by Ken Kessler Jan 05, 2026 #226 Happy New Year! by Frank Doris Jan 05, 2026 #226 Turn It Down! by Peter Xeni Jan 05, 2026 #226 Ghost Riders by James Schrimpf Jan 05, 2026 #226 A Factory Tour of Audio Manufacturer German Physiks by Markus "Marsu" Manthey Jan 04, 2026 #225 Capital Audiofest 2025: Must-See Stereo, Part One by Frank Doris Dec 01, 2025 #225 Otis Taylor and the Electrics Delivers a Powerful Set of Hypnotic Modern Blues by Frank Doris Dec 01, 2025 #225 A Christmas Miracle by B. Jan Montana Dec 01, 2025 #225 T.H.E. Show New York 2025, Part Two: Plenty to See, Hear, and Enjoy by Frank Doris Dec 01, 2025 #225 Underappreciated Artists, Part One: Martin Briley by Rich Isaacs Dec 01, 2025 #225 Rock and Roll is Here to Stay by Wayne Robins Dec 01, 2025 #225 A Lifetime of Holiday Record (and CD) Listening by Rudy Radelic Dec 01, 2025 #225 Little Feat: Not Saying Goodbye, Not Yet by Ray Chelstowski Dec 01, 2025 #225 How to Play in a Rock Band, Part 18: Dealing With Burnout by Frank Doris Dec 01, 2025 #225 The People Who Make Audio Happen: CanJam SoCal 2025 by Harris Fogel Dec 01, 2025 #225 Chicago’s Sonic Sanctuaries: Four Hi‑Fi Listening Bars Channeling the Jazz‑Kissa Spirit by Olivier Meunier-Plante Dec 01, 2025

All I Want For Christmas…

All I Want For Christmas…

…is Peace.

And no, I don’t even mean the large-scale, unobtainable kind of peace involved in the World Order. I just mean, can we kindly for once remember that the whole deal of audio and listening to music is about enjoyment and immersion in the brilliant work and talents of others—and not endless, pointless debates of, say, musicality versus accuracy??

This is far from the first time that I’ve raised this objection/rant, and indicative of the endless feuding we see: have you noticed that most audio websites have deleted the number of comments that have posted on even relatively harmless articles like this one? Why is that? Because they don’t want to encourage the pile-ons that result when the bellicose and belligerent start going?

I have a granddaughter coming to our household, and two dogs I’m attempting to make manageable before that arrival. The kind of no-win, endless internecine warfare so intrinsic to audiophilia is just not of interest to me in general, but especially not right now. Not of interest. At all.

I love music, and I know that the challenges involved in reproducing it in any way resembling the real is damned near impossible. Props to all who attempt it, no matter what the method: horns, planars, triodes, MOSFETS, LPs, digital files, whatever. Each and every form has its plus points, and its minuses. If you’ll looking for The One True Way, you’d better go back to reading tales of King Arthur, or something. There is NO ONE RIGHT WAY.

I’ve frequently referred to Colin Chapman, founder of Lotus and one of the most brilliant engineers who ever lived, in any field. Colin had his shortcomings, including the fact that his designs were often so close to the edge that they broke, and sometimes folks died. Like Jim Clark, one of the greatest drivers ever. EVER.

Anyway: with one of his road cars–the first Elite, I think—Chapman was faced with the fact that there just wasn’t enough headroom, and an additional 2″ was needed (okay, say 50mm for you fussy metric types). The options were for him to lower the floor—decreasing ground clearance drastically—or raise the roofline, befouling the aerodynamics.

Chapman explained the dilemma to a hapless, well-meaning bystander—who  said to Chapman, “Well, why don’t you raise the roof one inch,  and lower the floor one inch?”

Chapman was not a large man (as anyone who has attempted to sit in a Lotus Europa can attest), but he was known for his fiery, ferocious, vicious temper. And his response to the suggestion was immediate,intense, and furious: “I can’t DO THAT!?! That’s a bloody COMPROMISE!!”

Sound familiar? Audiophiles are often dogmatic and bound to their particular point of view or school of thought. In the grand scheme of things—and this is true for most doctrinal disputes—it just doesn’t matter. NOBODY CARES.

So, please: as we leave Hanukkah and approach Christmas, Kwanzaa, Boxing Day, Omisoka, New Years Eve, whatever: please. Just stop. Be grateful for music, musicians, and the fact that we are able to enjoy their work in whatever cobbled-together creations we have.

…and Peace Be With You.

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