COPPER

A PS Audio Publication

Issue 58 • Free Online Magazine

Issue 58 THE AUDIO CYNIC

A Tale of Two Shows

A Tale of Two Shows

It was the best of times…

Scrap that.

I’ve written about my friend and mentor Richard Beers several times, starting ‘way back in Copper #7. While I despise the lingua franca of biz-speak, it would be accurate to say that there was a “power vacuum” in the audio show biz following his death. And, as always…nature abhors a vacuum (oops—apparently, I’ve said that before…).

To condense events that unfolded over many months: THE Show Newport was held June 3-5, 2016, and was the first Newport show following Richard’s passing. Most of the show-wrangling was handled by Richard’s former assistant, Marine Presson. By all accounts—including our own and that of Stereophile—the show was a success.

While at the show I heard reports that a group of local audiophiles/business folk were discussing the idea of a new and different LA-area audio show. There were rumblings that the Hotel Irvine had deemed the audiophile clientele of the show beneath their standards of beauty and spending (go figure), and that the hotel would opt out of its contract. If THE Show were to continue, it wouldn’t be at the Hotel Irvine.

In September of 2016, the new L.A. Audio Show (LAAS) was announced for June, 2017, sponsored by the LA-Orange County Audio Society, backed by financiers the Orion Group, with Marine running things. Meanwhile, THE Show, headed by Richard’s friend Maurice Jung, scheduled a show for Anaheim in September, 2017. I recently rehashed this history, and so won’t dwell upon the details too much.

Long story short: The LAAS held their first show near LAX, with generally lukewarm reports from both exhibitors and attendees. Exhibitors commented at length upon logistical issues, light attendance, and navigational nightmares which left major exhibits from Harman and Sony almost unseen. In early September, 2017, THE Show was canceled only weeks before the scheduled date, largely due to the illness of Richard Beers’ friend and heir, Beverly Harber. Beverly passed away that November.

Beverly’s death was sad, but the community consensus was that THE Show was gone for good, eliminating the dueling-show mess in LA, and leaving LAAS to stand alone. LAAS was announced for June 8-10, 2018, to be held at the Orange County Hilton that had once hosted THE Show. Simple, right?

Wrong.

THE Show announced that they would be back, the week before the LAAS, June 1-3, also in an Irvine hotel. The audio community was not pleased, and many vowed to stay away from both shows, let them slug it out, and side with the eventual winner. Most placed their bets on LAAS.

As Patriots fans know, sure things don’t always win. On April 18, 2018, Marine sent out a rambling, contentious email under the heading “Personal Note From Marine at LAAS” in which she stated that “…the LA Audio Show is mine and mine alone to steer towards collective success.” With indications of persecution and a spiritual awakening of sorts, the collective response of the audio community was, “what the hell was THAT?”

Two weeks to the day later, on May 2, Marine sent out an even more-peculiar email headed, “An Open Letter to the Industry. LAAS Cancelled.” You can read the full text here, and I’ll let you draw your own conclusions. Oh: if you click on the picture of Marine flashing deuces, you can read even more. And maybe even order a t-shirt.

On May 3, little else was spoken of in the industry, and THE Show wasted no time in pitching their show to those abandoned by LAAS.

If you’re interested in more details of the whole string of events, our friend Jason Victor Serinus wrote a thorough and fair account; Michael Fremer also wrote about the situation, with a classically prickly-Mikey take on it.

We’ll see how THE Show does. I have a feeling this bizarre story is far from over.

More from Issue 58

View All Articles in Issue 58

Search Copper Magazine

#231 Piano Prodigy Jude Kofie Releases His Debut Album On Octave Records by Frank Doris Jun 01, 2026 #231 Underappreciated Artists, Part Two: City Boy by Rich Isaacs Jun 01, 2026 #231 Music and the Art of Creation: Talking With Saxophonist Rob Scheps by Joe Caplan Jun 01, 2026 #231 How to Play in a Rock Band, 24: Further Adventures at the 2026 Montauk Music Festival by Frank Doris Jun 01, 2026 #231 Courtney Barnett: Creature of Habit by Wayne Robins Jun 01, 2026 #231 Angine de Poitrine: Interstellar Guitar Rock Saviors Headed for Late-Night TV Pop Stardom? by Mark Lepage Jun 01, 2026 #231 My Impressions of AXPONA 2026, Part One by Frank Doris Jun 01, 2026 #231 2026 La Jolla Concours d'Elegance: Another Aesthetic Feast by B. Jan Montana Jun 01, 2026 #231 Country Music Icon Jo Dee Messina’s Bridges: A New Beginning by Ray Chelstowski Jun 01, 2026 #231 The Luxury Dispatch Hosts a Video Podcast With Ken Kessler by Ken Kessler Jun 01, 2026 #231 The Vinyl Beat: Tracking in the Motor City by Rudy Radelic Jun 01, 2026 #231 Lots of Fun With DSP: The Ferrum Audio WANDLA DAC and Its Tube Mode by Frank Doris Jun 01, 2026 #231 From The Audiophile's Guide: Digital Source Components and Streaming Audio by Paul McGowan Jun 01, 2026 #231 Onkyo’s Monster M-510 power amplifier by The Staff at Just Audio Jun 01, 2026 #231 PS Audio in the News by PS Audio Staff Jun 01, 2026 #231 Naming Convention by Peter Xeni Jun 01, 2026 #231 Les Invisibles by Frank Doris Jun 01, 2026 #231 Wildlife Scene by James Schrimpf Jun 01, 2026 #230 Camaraderie by B. Jan Montana May 04, 2026 #230 AXPONA 2026: A Family Gathering by Paul McGowan May 04, 2026 #230 Pianist Ryan Benthall Explores Jazz Realms and Far Beyond With Divine Sky by Frank Doris May 04, 2026 #230 The Vinyl Beat in AXPONA-Land by Rudy Radelic May 04, 2026 #230 Teddy Thompson’s Musical Growth Deepens With Never Be the Same by Ray Chelstowski May 04, 2026 #230 More Fun in the Sun: Florida Audio Expo, Part Two by Frank Doris May 04, 2026 #230 CanJam NYC 2026 Show Report: Heady Sound, Part Two by Frank Doris and Harris Fogel May 04, 2026 #230 Sonic Youth On Murray Street by Wayne Robins May 04, 2026 #230 Graffeo Coffee: A Symphony of Sensory Experience by Joe Caplan May 04, 2026 #230 The Saul Authority: The Story of Hi-Fi Pioneer Saul Marantz by Olivier Meunier-Plante May 04, 2026 #230 How to Play in a Rock Band, 23: Encounters With Famous Musicians, Part Two by Frank Doris May 04, 2026 #230 An Outlier in the Rack: A Vintage BIC Beam Box by The Staff at Just Audio May 04, 2026 #230 PS Audio in the News by PS Audio Staff May 04, 2026 #230 A Cautionary Tale by Rich Isaacs May 04, 2026 #230 Reel-to-Reel Roots, Part 33 (Revised): Ken Kessler Reports On the 2026 (British) AudioJumble by Ken Kessler May 04, 2026 #230 Text Messaging by Frank Doris May 04, 2026 #230 The Audiophile Rat Race by Peter Xeni May 04, 2026 #230 On the Rocks by Rich Isaacs May 04, 2026 #229 The Earliest Stars of Country Music, Part Three by Jeff Weiner Apr 06, 2026 #229 The Healing Power of Music and Sound at the Omega Institute by Joe Caplan Apr 06, 2026 #229 CanJam NYC 2026 Show Report: Heady Sound, Part One by Frank Doris Apr 06, 2026 #229 Florida Audio Expo 2026: Warming Up to High-End Audio, Part One by Frank Doris Apr 06, 2026 #229 Quick Takes: Anne Bisson, Sam Morrison, The Velvet Underground, and the Stooges by Frank Doris Apr 06, 2026 #229 The Vinyl Beat: New Arrivals, and Old Audio Show Demo Scores to Settle by Rudy Radelic Apr 06, 2026 #229 Harvard Gets a High-End Audio Education by Frank Doris Apr 06, 2026 #229 No Country for Old Knees by B. Jan Montana Apr 06, 2026 #229 How To Play in A Rock Band, 22: Encounters With Famous Musicians, Part 1 by Frank Doris Apr 06, 2026 #229 The Soulful Grooves of Guinea-Bissau by Steve Kindig Apr 06, 2026 #229 Four-Hand Piano Performance at Its Finest by Stephan Haberthür Apr 06, 2026

A Tale of Two Shows

A Tale of Two Shows

It was the best of times…

Scrap that.

I’ve written about my friend and mentor Richard Beers several times, starting ‘way back in Copper #7. While I despise the lingua franca of biz-speak, it would be accurate to say that there was a “power vacuum” in the audio show biz following his death. And, as always…nature abhors a vacuum (oops—apparently, I’ve said that before…).

To condense events that unfolded over many months: THE Show Newport was held June 3-5, 2016, and was the first Newport show following Richard’s passing. Most of the show-wrangling was handled by Richard’s former assistant, Marine Presson. By all accounts—including our own and that of Stereophile—the show was a success.

While at the show I heard reports that a group of local audiophiles/business folk were discussing the idea of a new and different LA-area audio show. There were rumblings that the Hotel Irvine had deemed the audiophile clientele of the show beneath their standards of beauty and spending (go figure), and that the hotel would opt out of its contract. If THE Show were to continue, it wouldn’t be at the Hotel Irvine.

In September of 2016, the new L.A. Audio Show (LAAS) was announced for June, 2017, sponsored by the LA-Orange County Audio Society, backed by financiers the Orion Group, with Marine running things. Meanwhile, THE Show, headed by Richard’s friend Maurice Jung, scheduled a show for Anaheim in September, 2017. I recently rehashed this history, and so won’t dwell upon the details too much.

Long story short: The LAAS held their first show near LAX, with generally lukewarm reports from both exhibitors and attendees. Exhibitors commented at length upon logistical issues, light attendance, and navigational nightmares which left major exhibits from Harman and Sony almost unseen. In early September, 2017, THE Show was canceled only weeks before the scheduled date, largely due to the illness of Richard Beers’ friend and heir, Beverly Harber. Beverly passed away that November.

Beverly’s death was sad, but the community consensus was that THE Show was gone for good, eliminating the dueling-show mess in LA, and leaving LAAS to stand alone. LAAS was announced for June 8-10, 2018, to be held at the Orange County Hilton that had once hosted THE Show. Simple, right?

Wrong.

THE Show announced that they would be back, the week before the LAAS, June 1-3, also in an Irvine hotel. The audio community was not pleased, and many vowed to stay away from both shows, let them slug it out, and side with the eventual winner. Most placed their bets on LAAS.

As Patriots fans know, sure things don’t always win. On April 18, 2018, Marine sent out a rambling, contentious email under the heading “Personal Note From Marine at LAAS” in which she stated that “…the LA Audio Show is mine and mine alone to steer towards collective success.” With indications of persecution and a spiritual awakening of sorts, the collective response of the audio community was, “what the hell was THAT?”

Two weeks to the day later, on May 2, Marine sent out an even more-peculiar email headed, “An Open Letter to the Industry. LAAS Cancelled.” You can read the full text here, and I’ll let you draw your own conclusions. Oh: if you click on the picture of Marine flashing deuces, you can read even more. And maybe even order a t-shirt.

On May 3, little else was spoken of in the industry, and THE Show wasted no time in pitching their show to those abandoned by LAAS.

If you’re interested in more details of the whole string of events, our friend Jason Victor Serinus wrote a thorough and fair account; Michael Fremer also wrote about the situation, with a classically prickly-Mikey take on it.

We’ll see how THE Show does. I have a feeling this bizarre story is far from over.

0 comments

Leave a comment

0 Comments

Your avatar

Loading comments...

🗑️ Delete Comment

Enter moderator password to delete this comment:

✏️ Edit Comment

Enter your email to verify ownership: