Copper Magazine · Issue 75 · A free PS Audio publication
Issue 75 THE AUDIO CYNIC

2018 Was Really Something

Over more decades in audio than I care to dwell upon, I’ve attended concerts and demos that assaulted not just my ears but my intellect and my emotional stability. Somehow those occasions have all-too-often involved people I like, folks I’m trying to encourage, or honest to God friends. Inevitably, the dreaded query comes:

“What did you think, Bill?”

I try to keep the friends friends, by being honest—tempered with as much gentle enthusiasm as I can muster out of my dark old soul. The other groups?

I fall back on several similar responses, which really say nothing, but allow the eager questioner to hear what they want:

The first and simplest involves nodding and looking pensive while muttering, “…interesting…interesting.” That one is the closest to being honest: I do find massive failures of artistic intent and violations of the laws of God, man, decency, and physics interesting….in the same way that I find unexpected entanglement in a massive cobweb interesting.

As long as I can breathe normally and suppress the urge to scream or panic, all is well. Easy-peasy. Next:

“Wow (shaking head)—I have never heard anything like that.”

Or its close cousin, which also involves shaking my  head—somehow that indicates sincerity. Remember Bart Simpson’s axiom, “Once you learn to fake sincerity, the rest is easy.” So:

“(Shaking head in silent reverence) now that-—that was really something.”

I don’t know how it was for you—but for me, 2018 was really something. The year wasn’t as catastrophically destructive to the music world as the last few years have been, with dozens of top-tier talents dead and gone—but 2018 did take Aretha, Montserrat, and Aznavour, along with a lot of important musicians who never quite reached the one-name level of fame. Dolores O’Riordan, Roy Clark, Marty Balin, Nancy Wilson, Tony Joe White, and Hugh Masekala—all were immediately recognizable, once you’d heard them.

There are a zillion lists out there like this one from the NYT—but I’m not going to pick out notables, month by month–it’s too damned depressing. The good news is that a lot of  these folks had some serious age on them—101 for Nancy Sinatra (the wife and mom one, not her “Boots” daughter—although, HOLY CRAP, “Boots” is 78??)? 94 for Aznavour? And other than O’Riordan—God rest her troubled soul—I’m not aware of a cluster of well-known suicides, as we’ve seen in recent years. –Oh crap: Avicii. Never mind.

Outside of music, there were deaths of a number of notables who shaped the world for me and millions of others: Stan Lee. Paul Allen. Stephen Hawking. Pappy Bush. Not saying I understood, liked, or respected all of them, but they did change the world, for good or ill. And in the arts and the business world, a number of unique souls moved on.

This, combined with the chaos of the world in general (including aesthetic insults as seen in the header pic), contributed to making 2018 really something.

And yet, and yet: personally, it was a year in which I traveled once again to Munich, and to South America with my son. My daughter was married, and now, she and her husband are expecting their first child, my first grandchild. I have a loving girlfriend, work in a field with great people doing interesting and challenging things. I live in a beautiful place. And oh: I have two faithful, albeit insane, canine companions. Life is good. Really.

Maybe in 2019 I’ll have to change the name of this column. Somehow. “The Audio Softy” doesn’t have the same ring to it….

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Favorites From T.H.E. Show SoCal 2026 by Cam Martin Oct 05, 2026 #235 Singer/Songwriter John David Schrader: On the Need to Create, Part Two by Joe Caplan Oct 05, 2026 #235 A Life in High-End Audio: The Roy Hall Interview, Part Two by Frank Doris Oct 05, 2026 #235 Grammy-Winning Producer, Songwriter, and Guitarist John Leventhal Goes Instrumental With National Drift by Ray Chelstowski Oct 05, 2026 #235 From Swimming Pool to New Listening Room—to Founding an Accidental Audio Company by Gilles Laferrière Oct 05, 2026 #235 The Vinyl Beat’s Size Matters Edition by Rudy Radelic Oct 05, 2026 #235 The Sublime Complexities of Nature by B. Jan Montana Oct 05, 2026 #235 How to Play In a Rock Band, 28: Growing Older and Dealing With It by Frank Doris Oct 05, 2026 #235 Young Rascals: From Bar Band to Stardom by Wayne Robins Oct 05, 2026 #235 Duncan Sheik: In Memoriam by Ray Chelstowski Oct 05, 2026 #235 From The Listening Chair: The Meze Audio 105 Silva Headphones by Howard Kneller Oct 05, 2026 #235 Checking Out Some NOLA Loudspeakers – and Some Thoughts About Audio Writing by Frank Doris Oct 05, 2026 #235 The Kanazawa Phonograph Museum: Music from a Time Capsule by Sebastian Polcyn Oct 05, 2026 #235 PS Audio in the News by PS Audio Staff Oct 05, 2026 #235 From The Audiophile’s Guide: Making the Most Critical Choice by Paul McGowan Oct 05, 2026 #235 Evolutionary Growth by Frank Doris Oct 05, 2026 #235 Speed Racer by Peter Xeni Oct 05, 2026 #235 Happy Halloween! by James Schrimpf Oct 05, 2026 #234 A Life in High-End Audio: The Roy Hall Interview, Part One by Frank Doris Sep 07, 2026 #234 Jason Greenlaw Offers His Personal Perspective on Jazz Guitar in Vantage Point by Frank Doris Sep 07, 2026 #234 Transcendent Phoenix: Lucina Yue Brings the Ancient Konghou Into Modern Times by Frank Doris Sep 07, 2026 #234 We Must All Follow Our Bliss by B. Jan Montana Sep 07, 2026 #234 How to Play in a Rock Band, 27: Leveling Up by Frank Doris Sep 07, 2026 #234 Ross Valory: Traveling Into New Musical Territory With All of the Above by Ray Chelstowski Sep 07, 2026 #234 Singer/Songwriter John David Schrader: On the Need to Create by Joe Caplan Sep 07, 2026 #234 The People Who Make Audio Happen: More From T.H.E. Show SoCal 2026 by Harris Fogel Sep 07, 2026 #234 The Vinyl Beat Digs Into the Gadget Box by Rudy Radelic Sep 07, 2026 #234 The Rolling Stones: Foreign Tongues Spoken Loud by Wayne Robins Sep 07, 2026 #234 Musical Moments by Rich Isaacs Sep 07, 2026 #234 Rags for Solo Piano and a Dog: David Chesky's Ragtime Music for the Modern Age by Frankly Speaking Sep 07, 2026 #234 HIGH END 2026, Vienna: Here to Stay by Carsten Barnbeck Sep 07, 2026 #234 From The Audiophile’s Guide: The Two Main Types of Loudpeakers – Box and Panel by Paul McGowan Sep 07, 2026 #234 Letting it Slide by Frank Doris Sep 07, 2026 #234 PS Audio in the News by PS Audio Staff Sep 07, 2026 #234 Long Playing by Peter Xeni Sep 07, 2026 #234 La Mer by B. Jan Montana Sep 07, 2026 #233 A Report From The Total Hi-Fi Experience Show SoCal 2026 by B. Jan Montana Aug 03, 2026 #233 Bluegrass Meets Country, Folk, Jazz and More in All That We Carried by The Squid City Slingers by Frank Doris Aug 03, 2026 #233 Corey Glover and One Tribe Nation: A Variegated Musical Collective by Ray Chelstowski Aug 03, 2026 #233 Excursions with Clive: The Late Clive Davis, A Personal History by Wayne Robins Aug 03, 2026 #233 AI, Art, and Music: A Conversation With Synthography Art by Joe Caplan Aug 03, 2026 #233 New American Symphonies: A Rediscovered Gem and a Vital Contemporary Work by Frank Doris Aug 03, 2026 #233 The Vinyl Beat: Genesis, the Dave Clark Five, Antonio Carlos Jobim and More by Rudy Radelic Aug 03, 2026 #233 How to Play in a Rock Band, 26: When It's Time to Record Your Music by Frank Doris Aug 03, 2026 #233 More From T.H.E. Show 2026, and the People Who Made it Happen by Harris Fogel Aug 03, 2026 #233 Underappreciated Artists, Part Three: Icehouse by Rich Isaacs Aug 03, 2026 #233 The Surprisingly Rich and Varied Music of Somalia by Steve Kindig Aug 03, 2026

2018 Was Really Something

Over more decades in audio than I care to dwell upon, I’ve attended concerts and demos that assaulted not just my ears but my intellect and my emotional stability. Somehow those occasions have all-too-often involved people I like, folks I’m trying to encourage, or honest to God friends. Inevitably, the dreaded query comes:

“What did you think, Bill?”

I try to keep the friends friends, by being honest—tempered with as much gentle enthusiasm as I can muster out of my dark old soul. The other groups?

I fall back on several similar responses, which really say nothing, but allow the eager questioner to hear what they want:

The first and simplest involves nodding and looking pensive while muttering, “…interesting…interesting.” That one is the closest to being honest: I do find massive failures of artistic intent and violations of the laws of God, man, decency, and physics interesting….in the same way that I find unexpected entanglement in a massive cobweb interesting.

As long as I can breathe normally and suppress the urge to scream or panic, all is well. Easy-peasy. Next:

“Wow (shaking head)—I have never heard anything like that.”

Or its close cousin, which also involves shaking my  head—somehow that indicates sincerity. Remember Bart Simpson’s axiom, “Once you learn to fake sincerity, the rest is easy.” So:

“(Shaking head in silent reverence) now that-—that was really something.”

I don’t know how it was for you—but for me, 2018 was really something. The year wasn’t as catastrophically destructive to the music world as the last few years have been, with dozens of top-tier talents dead and gone—but 2018 did take Aretha, Montserrat, and Aznavour, along with a lot of important musicians who never quite reached the one-name level of fame. Dolores O’Riordan, Roy Clark, Marty Balin, Nancy Wilson, Tony Joe White, and Hugh Masekala—all were immediately recognizable, once you’d heard them.

There are a zillion lists out there like this one from the NYT—but I’m not going to pick out notables, month by month–it’s too damned depressing. The good news is that a lot of  these folks had some serious age on them—101 for Nancy Sinatra (the wife and mom one, not her “Boots” daughter—although, HOLY CRAP, “Boots” is 78??)? 94 for Aznavour? And other than O’Riordan—God rest her troubled soul—I’m not aware of a cluster of well-known suicides, as we’ve seen in recent years. –Oh crap: Avicii. Never mind.

Outside of music, there were deaths of a number of notables who shaped the world for me and millions of others: Stan Lee. Paul Allen. Stephen Hawking. Pappy Bush. Not saying I understood, liked, or respected all of them, but they did change the world, for good or ill. And in the arts and the business world, a number of unique souls moved on.

This, combined with the chaos of the world in general (including aesthetic insults as seen in the header pic), contributed to making 2018 really something.

And yet, and yet: personally, it was a year in which I traveled once again to Munich, and to South America with my son. My daughter was married, and now, she and her husband are expecting their first child, my first grandchild. I have a loving girlfriend, work in a field with great people doing interesting and challenging things. I live in a beautiful place. And oh: I have two faithful, albeit insane, canine companions. Life is good. Really.

Maybe in 2019 I’ll have to change the name of this column. Somehow. “The Audio Softy” doesn’t have the same ring to it….

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