We love smooth and perfect and shy away from irregularities. When I find a smooth surface, like a kitchen countertop, I feel compelled to rub my hand on its face to appreciate its perfection. Bumps and blits underhand are noticed immediately and I want to get a wet rag and scrub them clean.
It’s almost as if we expect perfection to be the norm, rather than the extraordinary, and we work at eliminating all that does not qualify. Yet, when you think about it, most of what we see, hear, taste, feel, and smell is unremarkable; normal, as in having its fair share of irregularities.
On a good day, I am a tolerant listener ignoring the occasional bloated bass peak or tick and pop heard in Music Room One. On other days it’s all I can do to not to cringe when I hear them.
I have come to a sort of peace with the matter by developing an internal switch I can mostly toggle at will. On days when all I want to do is kick back and enjoy the music, I turn off my irregularity microscope. On days where I need the laser focus required for voicing equipment, back on it goes.
Indeed, our internal measurement systems are far more variable than the machines that attempt to emulate us. Learning that my sensor’s tolerance levels are adjustable through training has been a big help to me in my quest to both build better equipment and enjoy it too.